Rhythm Quotes
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I just loved being around everybody. We just found a rhythm with each other that you want to get on everything you ever do in your life.
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Playing the guitar, you kind of lock into a rhythm and a groove, and then it relaxes me to make up lyrics and sing.
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Ordinary people who know nothing of phonetics or elocution have difficulties in understanding slow speech composed of perfect sounds, while they have no difficulty in comprehending an imperfect gabble if only the accent and rhythm are natural.
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If you make films, you're changing rhythm the whole time. You go from a quiet life to an absolutely turbulent life which is typical of moviemaking. And then you get back to your normal life and you have to have nerves of steel.
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I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a human being or any animate object, and this could be directly translated into thinking about proportion and accent, rhythm in a pot form.
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Rhythm is a perception of time... when drawing, the tiredness of the hand is a rhythm.
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If we can take the time to mute the noise we've build around ourselves the rhythm of the heartbeats and the purpose may be clear.
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Now begins to rise in me the familiar rhythm; words that have lain dormant now lift, now toss their crests, and fall and rise, and falls again. I am a poet, yes. Surely I am a great poet.
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I'm very sensual and very rhythm-oriented and into poetry. Women can feel that.
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Humanity has always conquered the flux of natural time by means of a rhythm between active and passive time-spans. To reconquer his holidays, to establish a new and better time schedule for life, has been the great endeavour of man ever since the days of Noah.
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It was so easy living day by day Out of touch with the rhythm and blues But now I need a little give and take The New York Times, The Daily News.
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All nature works, and then rests; works and rests. I caught its rhythm and worked and rested with it. When I felt that inertia stealing over me, I rested; and while resting my power recuperated - the tide rose in me.
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Lots of times I'll play lead and rhythm together.
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We never got into a rhythm of getting stops and when we did they did a good job of scrapping up some rebounds and keeping it alive against us.
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So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.
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My legs are starting to get back under me. I'm getting my rhythm back and I'm just going out there to play. Not really thinking about it.
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People tell me I'm a comedian, but I don't approach acting from that perspective. I do know that everything in life has to do with your timing and perception. You have to be comfortable with the rhythm that you're in. You can't just jump into a fast rhythm if yours is slow. You might have to pick up the pace but in your own particular way. It has to do with personality, too.
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I remember listening to like gospel-y blues tunes. I'd just listen to the rhythm and the music was upbeat. Always upbeat if you get like a good rhythm you can nod your head. You just feel good. But then when you listen to the lyrics it was quite sad.
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The best way to get to know Africa is to go there and see what it is. To know somewhere that crazy and that magnificent, you have to spend some time among people, the rhythm of their lives.
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Anyone who breathes is in the rhythm business.
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As you get drawn more and more into other activities, like political activities, very demanding, you have to find different rhythms of writing; I think that's the word I'm looking for, rhythms of creativity which then, of course, become very intense. I think your writing then tends to be very intensified simply because there are other demands which seem equally important.
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Where Snah Hans Magnus Ryan is a melody and texture man, I am more of a riff, rhythm and concept guy. I am much better than him in certain fields, and he surely wipes the floor with me in others, and we both know it's like that.
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I mean, yeah, Anne Fletcher was a choreographer, but she was born to be a director. You need to have the ability to figure out people's rhythms. It all starts from the script.
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Rhythm and melody enter into the soul of the well-instructed youth and produce there a certain mental harmony hardly obtainable in any other way. . . . thus music, too, is concerned with the principles of love in their application to harmony and rhythm.
