Ruggiero Ricci Quotes
So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.
Quotes to Explore
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Warren and I are friends, but working with him had been difficult.
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I love being in the editing room and playing with tempo and with the rhythm of shots.
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How can you not love a man banging on the drums? He knows how to keep a rhythm.
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I suppose I flee to life. I'm most interested when conversations become difficult.
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But since the middle of the century in particular, the music has become very irregular in rhythm.
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I was a pretty difficult teenager.
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I like my country, but I don't think like an Italian. It's a complex, complicated difficult country to make things happen in.
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I find it difficult to attend autopsies. Especially the smells.
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We have more difficult circumstances than most of the Arab countries but in spite of that Syria is stable. Why? Because you have to be very closely linked to the beliefs of the people. This is the core issue.
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I appreciate everything that has been done for me. After a difficult start, I've just followed my dreams.
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Stand-up, I find it really difficult. It's not really my thing.
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I was told it might be quite difficult to conceive, so it really was a great blessing when my pregnancy suddenly happened. I had been diagnosed years ago with polycystic ovarian syndrome, which can affect your fertility - but luckily, in my case, it didn't.
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The transition was difficult. It's hard to stop something that you've enjoyed and that has been very rewarding.
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I wasn't trained as a writer-director. And the projects I write are difficult to finish.
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With fame, I'm able to create more. With every success, you have more freedom to create.
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My name, Diana Ross, is my name and nobody should be able to use that for exploitative purposes but me.
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I don't think of it as difficult. It would be difficult if I were carrying something heavy, but I carry Leicas. You can't talk about it that way. I'm not operating a shovel and getting tired.
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The quicker you resolve the problems with banks and there's transparency in that process, the faster they recapitalize and are able to make investments.
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I think that's a powerful thing, to be able to engage your audience and let them put some of themselves into the music.
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Putting a label homosexual on myself was a big step forward...once I said, 'Yes, that's me, that's what I am,' I was able to work with it.
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The secret of 'fusion' is the fact that the artist's eye sees in nature... an inexhaustible wealth of tension, rhythms, continuities, and contrasts which can be rendered in line and color.
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Meaningful learning in a community requires both participation and reification to be present and in interplay. Sharing artifacts without engaging in discussions and activities around them impairs the ability to negotiate the meaning of what is being shared. Interacting without producing artifacts makes learning depend on individual interpretation and memory and can limit its depth, extent, and impact. Both participation and reification are necessary. Sometimes one process may dominate the other, or the two processes may not be well integrated. The challenge of this polarity is for communities to successfully cycle between the two.
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I sort of approach wrestling the way Johnny Depp approaches movies. I don't really care necessarily what I'm portraying.
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So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.
