Jazz Quotes
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Even though I left for a year, I grew here as a Jazz man. If I'm fortunate enough to go into the Hall of Fame, I will go as a Jazz man.
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My father was a jazz listener, and I think, at least before I was 5, I was not so into that. Although there were records that emphasized percussion that I liked, like Baby Dodds.
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I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
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If you have to ask what jazz is, you'll never know.
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In 1962 I wrote for 'Jazz News,' using the pseudonym Manfred Manne, which I picked because of a jazz drummer with that name. I later dropped the 'e.'
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Jazz is the art of thinking out loud.
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People sometimes say it takes a long time to become a jazz fan, but for me it took about five seconds.
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Some people try to get very philosophical and cerebral about what they're trying to say with jazz. You don't need any prologues, you just play.
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I think my knowledge of music theory is rooted in jazz theory, and a lot of the writers of standards - Rodgers and Hart, and Gershwin.
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People said I'd never make 35, then I'd never make 40, 45; now I'm almost 50, so Im beginning to think maybe they might be wrong.
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But if you listen to great piano players, both classical and jazz, there's a huge range of dynamics and colors and emotional expression that's possible with the instrument.
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I actually find a lot of parallels in jazz and cartooning.
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When I read the script and saw the jazz music setting, and when I read the name of the filmmaker was Damien Chazelle, I immediately got this mental image of Antoine Fuqua.
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My secret dream has always been to be a jazz musician. I tried the saxophone for a year or two when I was younger, but unfortunately I had to face the fact that I was not really talented!
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I've been a massive obsessive about jazz singers all my life.
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That's why I loved Dinah Washington. She sung jazz, but they called her the Queen of the Blues. She had the control and sophistication of jazz in her note selection and how to attack a song or certain lines, but then attacked it with a painful force of blues behind it. That's why I admired her so much, because of that versatility.
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I have a secret love of jazz.
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I never desperately wanted to be a jazz drummer. If anything, I was motivated a lot by fear. Fear of the conductor, fear of the future.
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The point of jazz is, you do something and then you go on.
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By the time I approached my forties, I had the self-assurance to approach all the genres I love so deeply: R & B, rock, jazz, and pop.
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The blues and jazz will live forever... So will the Delta and the Big Easy.
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I find Indian music very funky. I mean it's very soulful, with their own kind of blues. But it's the only other school on the planet that develops improvisation to the high degree that you find in jazz music. So we have a lot of common ground.
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I loved singing rock-and-roll, jazz, anything on radio, anything commercial. I was able to do anything, but I didn't know what direction to go in.
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At 14 and 15, I used to listen to Tito Puente, Dave Valentine and everything that was happening with American jazz. I love it.
