Character Quotes
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The properties of people and the properties of character have almost nothing to do with each other. They really don't. I know it seems like they do because we look alike, but people don't speak in dialogue. Their lives don't unfold in a series of scenes that form a narrative arc.
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When an audience is laughing with a character, they make themselves so vulnerable, and they open up. They expose their heart the moment they're laughing, because they're relaxed and they're disarmed.
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I was a big fan of the Tim Burton films. I really liked the character. And I remember thinking the Batmobile was very cool.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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God, that all-powerful Creator of nature and architect of the world, has impressed man with no character so proper to distinguish him from other animals, as by the faculty of speech.
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When you watch it, you're like, Wow. I look like that. But it doesn't feel like that at all. It was about communicating with Gale Harold and getting across what I wanted to say about the character.
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All one needs to do is read - books, magazines, research the Internet - and pay attention to the influencers in their lives to discover the myriad people of strong moral character who have and still are making positive, meaningful contributions and differences in our world.
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Disney is very much a child's theater - it's a very specific kind of acting. It's loud and boisterous with the goal to draw the attention of children and keep the attention of children, and it can kind of be cheesy and loud, and I had to unpack a lot of that, because as an actor, you kind of internalize, and you basically become a character.
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Character is the tree, reputation is the shadow.
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Creating a character and living truthfully through her is a whole different ball game. It's all part of the same person but it's a much newer medium for me.
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As an actor, you don't want to play a one-dimensional character.
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I actually read 'The Last Jedi' before 'The Force Awakens' came out. It totally helped me, though! The idea of this franchise that I already knew was such a big cultural thing, I was sort of given this freedom to be honest with that character and not have this pressure of making her something else that we had already seen in this universe.
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The character of Johnny Drama was a lot of fun to play.
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If we despond, public confidence is destroyed, the people will no longer yield their support to a hopeless contest, and American liberty is no more. Through the darkness which shrouds our prospects, the ark of safety is visible. Despondency becomes not the dignity of our cause, nor the character of those who are its supporters.
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Emotions of any kind are produced by melody and rhythm; therefore by music a man becomes accustomed to feeling the right emotions; music has thus the power to form character, and the various kinds of music based on various modes may be distinguished by their effects on character.
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I tend to play characters that I can infuse with certain kinds of humour. Even the baddest guy can be funny in his own particular way. I want the audience to engage with the character on some deeper level so that they leave the cinema still thinking about him.
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When you're really young, you tend to fall in love with characters. If you start seeing the same type of character everywhere and realize that they don't look like you, or they don't speak like you, you start wanting to change who you are. That's something that I did when I was a young kid.
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There's the argument that you can relate to someone who's completely unrelatable. In the way that a director shows you his imagination on a film, then I get to show you my imagination in a big dumb character.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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I suppose the cult of the strong woman character on TV has probably been misinterpreted in so many different ways, meaning that a woman can't be emotionally complicated or want things or can't be weak in moments.
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While massive datasets may feel very abstract, they are intricately linked to physical place and human culture. And places, like people, have their own individual character and grain.
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Of course, I want to look the best I can, but I am playing characters that should match my age, and the women and the material that I am interested in are usually going through something. I have to be able to live in my face and tell the story of the character I've taken on.
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Deal honestly and objectively with yourself; intellectual honesty and personal courage are the hallmarks of great character.
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A clown's makeup and character, that's all he has to sell. He loves and believes in that character.
