Character Quotes
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What about Mickey Mouse? Disney tried very hard to make him a star. But Mickey Mouse is more of a symbol than a real character.
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My goal has been to be a great character actor.
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My first character was Mr. Toad.
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My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.
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And costume is so important for an actor. It absolutely helps to get into character; it's the closest thing to you, it touches you. Some actors like to go into make-up and then put their clothes on, but I like to dress first; that's my routine.
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I am quite sure that a little man who braves ridicule to improve the lot of his fellow men, and is thanked by their jibes, is an interesting character.
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I find with television, you have to play personality, whereas onstage, everyone talks about 'the character,' and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.
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I'm trying to make really flawed characters that have got redeeming features so people can say, 'I don't really like that character, but I can understand a bit where they've come from.'
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I never base a character on someone I know. You can get ideas from real life, but every character you write is some aspect of yourself.
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I'll come up with an idea for a character, and I'll write some jokes and make sure that that character is going to have some legs to it - that it's really going to work. If I can come up with jokes and material that I think will work, then I make a cheap version of the doll. Achmed started out just being this little plastic toy from the store.
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I always play what I call The Girl. The nice straight character. Sincere. Usually the victim. I'm put upon. I suffer.
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I love characters songs and I love to fit into a story. I love singing through a character's journey.
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Things have character. So I'm interested in how the character of the thing might function as a protagonist in what isn't a narrative.
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I don't think, there's no possible way for me, anyway, to play a character that I haven't found some sort of sublime compassion for and I related to Deborah on a way that almost, initially, almost in a way maybe someone in the audience might.
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Because I grew up on 'Star Wars', that was the best example of creating a full and rich world to me as a writer. When I was watching those movies as a kid, I wanted to know more about every damn character in that universe. There was always a hint that there was a story there that you just weren't getting to see.
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I think it's necessary to identify with anything - with any character you play, there's got to be something in common, so you can link up to that person, even if it's like one tiny thing. But it's equally fun to play somebody completely different, and trying to find what that thing is to make it.
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Fundamentally, all art is about human beings. You're always showing larger moral questions through the smaller moral, philosophical, or political choices through one character in the book.
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When I act, I try to understand the character, why she's behaving like that.
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It is a rare American who does not have some story about how music has made our lives richer and more interesting, how it has changed our moods, brought out the best in our character and even sometimes helped us earn a living.
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With film, it's all about the actor being able to feel the things that the character's feeling. It must do some strange things to your mind. Music I find much easier because you're being honest about where you are as a person.
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We were raising our standard of living at the expense of our standard of character.
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To get a script like 'Death Proof' and to get cast in it just affirmed that I want to do character work; that's where my heart is. Maybe I will get to it again, maybe I won't, but it's what I like to do is play something a little outside of myself. This solidified the desire certainly for me.
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Characters can become boring. That's what's tricky about television. It goes on and on - you're playing this same character for five seasons and it gets easy to fall into just walking on the set and assuming you know how to play a scene.
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Faith by its very nature must be tried, and the real trial of faith is not that we find it difficult to trust God, but that God's character has to be cleared in our own minds. Faith in its actual working out has to go through spells of unsyllabled isolation. Never confound the trial of faith with the ordinary discipline of life. Much that we call the trial of faith is the inevitable result of being alive.
