Character Quotes
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If I have to point to something specific with the way I move my camera, I love to do it with a wide lens. I like to show you as much of the space as I can, even if I'm following a character.
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When the OutKast sound changed and I started producing my own records, I would mirror what I thought that character doing that music would look like. As the sound got a little wilder, freakier and funkier, so did the clothes. Then when the sound got more sophisticated, the clothes changed again.
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If a movie makes it really big, they do the obvious thing, right? They make an amusement park ride out of it. ... The connection is obvious. You get off, "Man, that was just like the movie! Only the movie had a storyline and characters, and that was a little more like a roller coaster."
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She had never acquired in-between shades of character, had not had the opportunity. She had been utterly selfish, and was now selfless, because she had never become a whole person, did not like herself, or know herself. Nor had she ever gained sufficient wisdom to be properly horrified at what she meant to do. She couldn’t think that intensely.
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Event cinema is what it is, and I understand why it's successful. It started with things like 'Jaws,' which are extraordinary movies. But what we've lost are great character films which are beautifully directed and had great movie stars in them. Films that were about something rather than about spectacle.
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In every character you play, as much as you hate to admit it as an actor, but there's an element of you that you bring to it.
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Honesty is the foundation of a sound character and the keystone of all other virtues. It is the cement without which all other redeeming features are fractured and without anchor. A dishonest person may be kind, witty, and very capable, but the strength of character simply isn't there. Honesty does not come by degrees. A person is either all honest or he is dishonest. You can be true or you can be false, but you can't be both at the same time.
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What's cool about Spider-Man is that it's everybody - anyone, you put on the suit, anyone believes that you're Spider-Man. That's what's charming about the character. He's anyone. He's a huge nerd that ends up being this huge superhero.
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I like dressing in all seasons. Every season has its own character and charm.
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I wouldn't do my roles if I really hated it. I've done things I hated, but I didn't go into them thinking I would hate them. I want to have fun. I don't want to go to work and not enjoy it. So if I'm swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don't want to be a crap cartoon character. I want to be proud I'm a vitamin!
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I don't look for anything in particular, like a particular genre. It's all very much to do with the quality of the script and the character as well.
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There's a theory that says that life is based on a competition and the struggle and the fight for survival, and it's interesting because when you look at the fractal character of evolution, it's totally different. It's based on cooperation among the elements in the geometry and not competition.
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It's a sad indication of where Washington has come, where policy differences almost necessarily become questions of integrity. I came to Washington in the late '70s, and people had the ability in the past to have intense policy differences but didn't feel the need to question the other person's character.
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You are always invested in a film, but there is always a different feeling you get when you are portraying a character that is based on real life and you are re-telling events that actually took place.
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1600 Penn is an ensemble comedy about a family. It just happens to utilize the fact that my character is now being forced into this world as a jumping off point. But, in no way is it the crux of the series. It's simply an introduction to the world.
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I think having a character piece is great. It will challenge you and be different.
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The little world of childhood with its familiar surroundings is a model of the greater world. The more intensively the family has stamped its character upon the child, the more it will tend to feel and see its earlier miniature world again in the bigger world of adult life. Naturally this is not a conscious, intellectual process.
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If you're doing television, you get to be a character for a long time, and the cast around you becomes like family. You get attached to playing that one character, and it's hard leaving them behind.
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Consequently, the value and importance of the monarchic idea cannot reside in the person of the monarch himself except if Heaven decides to lay the crown on the brow of the heroic genius like Frederick the Great or a wise character like William I.
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I'm trying to look into each character and try to realize her as someone who is also me.
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'Ugly Betty' has been the most important thing I've ever done, easily. I was able to do more with one character than I can ever imagine doing again - Hilda was hilariously funny and emotionally deep... I really got to showcase what I could do with a character.
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But Germany will always suffer, I fear, from the intensely dramatic character of the crimes of the Third Reich.
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It's not so much that I enjoy screenwriting, though mostly I do, but the difference is, with adaptations, somebody else has done the hard part - made up a story, provided the characters.
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Aquaman's such an amazing character.
