Jonathan Levine Quotes
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I watched 'Return Of The Living Dead.' That one's cool, man. I like that one.
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I feel like comedy is where I'm most at ease, but I also have an allergy to silly jokes.
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'Warm Bodies' - I was contractually obligated to deliver a PG-13 movie. But, like, I wanted it to be PG-13 because it's for younger people, and I don't want them not to be able to see it. I mean, you have to kind of think about the marketplace as well.
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I like to branch out as much as I can, but I feel like the movies that are closest to my heart are 'The Wackness' and '50/50' - the ones that are dramedies that have that human element to them.
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I love Jamaica so much. I've been there so much, and I think it would be great if we could shoot a movie there.
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I just think a lot of movies are too long. I want to know how to make my movie as tight as possible.
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In rehearsals, I like to create an honest environment that is kinda free and fun.
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It's rare that movies can sort of capture the tone of life; movies always feel like they have to be one thing or another.
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I was intimidated by Malkovich for, like, a couple of days, and then I wasn't. He's awesome. He's so cool. He was so wonderful to work with.
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For me, I just value my friendships so much. I mean, I love my family, too, but my friends - I have a really special connection with my friends.
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My first real television-watching experience was when I watched 'L.A. Law,' like, at 10 o'clock Thursday nights with my parents. They would let me stay up late.
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I used to obsess on critical reactions to my films, and it's really not a healthy way to live your life, so my new take on it is simply, 'I hope people like it!' I'm not going to be looking at the tomato meter for at least a year! I was very lucky on '50/50' that most critics really liked it.
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There's so often - in filmmaking, you're backed into something that already has these set parameters, whether it's a sequel or a book that people love.
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Do I wish I was Martin Scorsese? Yeah. But am I really proud of the movies I've made and really happy that I get to keep making them? Yes.
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I've been a huge fan of Hal Ashby forever. And I think that the distinctive thing about 'Coming Home' is the love story, and how - kind of emotionally real it is, and how these two characters allow each other to see their - kind of vulnerabilities. And it's great because it's a love story that's not really that cheesy, either.
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I was Paul Schrader's assistant for six months before I went to film school, and he's very much about knowing what's going to happen on every page before you even start writing dialogue - the entire plot and character arcs are mapped out.
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On '50/50,' even though it was 8 million dollars, it was all acting-intensive.
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I think that's the great thing about zombies, is, you know, going back to even 'Night of the Living Dead,' they've always been a tool for kind of holding up a mirror to us and showing us something about ourselves that we might not otherwise know.
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There are things that I can tell my friends that I just can't tell my family, just as far as how I'm feeling about things. My friends know me the best in a certain way. I just think old friends are really, really important.
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I have a lot of friends with bad taste in music - some might say that I have bad taste in music.
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I definitely think New York is a very, very vibrant, wonderful city, but I certainly, of course, can't help but miss a lot of the stuff that's no longer there.
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Any time I hear certain songs I put in a movie, I have to not listen to them anymore because I associate them with that movie. They take on that association rather than the association I had when I first heard them. So it's kinda bittersweet to put a song in a movie, honestly.
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I really don't like when you see improv scenes go on too long. It really bothers me, even if the jokes are good.
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As a director, there's no natural career progression. So after 'The Wackness,' which was very personal to me, I was very, very picky about what I was going to do next, to the point where I think that I was almost too picky.