Character Quotes
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I was always a clown. In the eighth grade I won a city speech contest by doing an Eddie Murphy routine. I'm no good at public speaking, but if I can assume a role and speak as that person, then I'm fine. When I had to give a book report, I always did it in character.
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I always think of the character as being me. But me wearing a 'coat', which may be a different way of speaking, moving or regarding other people. To me, acting is pretending, just like kids playing, only you pretend as if it were really, really real.
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I have always believed that national character... depends more on the female part of society than is generally imagined. Precepts from the lips of a beloved mother... sink deep in the heart, and make an impression which is seldom entirely effaced.
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It's nice to know that a studio is willing to put a female in a film without expecting the character to have a love interest.
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Courage combined with integrity is the foundation of character.
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I think that each character has fascinated and interested me enough to want to play him.
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Music directly imitates the passions or states of the soul...when one listens to music that imitates a certain passion, he becomes imbued withthe same passion; and if over a long time he habitually listens to music that rouses ignoble passions, his whole character will be shaped to an ignoble form.
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experiences of this period had two very marked effects on my opinions and character. In the first place, they led me to adopt a theory of life, very unlike that on which I had before acted, and having much in common with what at that time I certainly had never heard of, the anti-self-consciousness theory of Carlyle.
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My character was obnoxious, had stinky feet and wore things like purple tights and a yellow top. I hated the clothes.
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I was introduced to Mr. Davy, who has rooms adjoining mine (in the Royal Institution); he is a very agreeable and intelligent young man, and we have interesting conversation in an evening; the principal failing in his character as a philosopher is that he does not smoke.
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Good musicals, a strange world, seem so easy. People say, 'Ohhh, it's magic.' Nothing's magic. A thing doesn't jell. Adapt. Change the rhythm. Shorten the scene. Rewrite the character. Maneuver the waters. Seeming easy is why so many shows aren't good.
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I had a very hard time accepting myself as a character actress because I wanted to be glamorous and a leading lady like everybody else. I looked in the mirror and thought I looked pretty good, but casting didn't ever see me that way.
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I've always used my own personal emotions and things that I've gone through in my life to build a character. The work that I do before a film feels almost like therapy, between me and whoever I'm playing.
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People of good character are not all going to come down on the same side of difficult political and social issues. Good people - people of character and moral literacy - can be conservative, and good people can be liberal. We must not permit our disputes over thorny political questions to obscure the obligation we have to offer instruction to all our young people in the area in which we have, as a society, reached a consensus: namely, on the importance of good character, and some of its pervasive particulars.
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I started improvising the Cliff character, based on someone I grew up with.
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What I have noticed is that no two places in Calcutta are alike. I like the bylanes and the old places. This city has a lot of character.
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In a series, you have the luxury of time to establish the character and build a rhythm. In a TV movie, you've got to come up with the rhythm now. Right now.
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It's a music video but she was real specific on the character that Mary J. Blige was playing, and that I was playing in this video and I told her whenever you get to jump to the big screen I'd love to come with you and she honored that.
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Breathing is always key in any character. When you have a character with no voice, that makes it even more important.
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As an actor it's your job to empathise with your character regardless of whether they have a different sexual orientation, spiritual beliefs, or anything.
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I had this very strict rule when I began auditioning that I wasn't gonna do a thicker accent, because it was like, 'I can't tell if it's supposed to be funny because he talks funny.' And now I feel like there are certain characters that I could play that could involve doing a thicker accent, as long as it's specific to that character.
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I love television; I specifically love having a dumb character on a TV show.
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When I know what the character I'm supposed to play wants in general terms, and when I know what did the other characters want to do, that's when all these wills collide and the emotions show up.
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But if capitalism had built up science as a productive force, the very character of the new mode of production was serving to make capitalism itself unnecessary.
