Character Quotes
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'Cars 2' is about a character learning to be himself. There's times in our lives where people always say, 'Well, you've gotta act differently. You should always be yourself.' That's the emotional core of the story.
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There is one very serious defect to my mind in Christ's moral character, and that is that He believed in hell. I do not myself feel that any person who is really profoundly humane can believe in everlasting punishment.
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You lose somebody you've possibly known for years and on top of that you lose a character that you love seeing on TV so I think that kind of makes it cool that we pay a price too. That it is painful on many levels and its amazing to be writing that moment and crossing that line right on the page and seeing the ugliness of it and having to deal with it. It's a very weird thing.
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A lot of people think I'm that guy in 'Betsy's Wedding', but I'm not. What it is for me is that, on some level, I connect with the character emotionally.
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Good acting comes from finding the essence of a character.
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I have women coming up to me and saying: 'I love your character! She's so empowered. She takes control; she gets what she wants.' That's another side of her. And I respect that in Joan. She says and does things that I would never allow myself to do.
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There are plenty of actors who've caught the singing bug and vice versa, but with musical performers, you're constantly a persona - which is something I love about acting: you play a character, you leave and you get to be yourself again.
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The funny thing is that I feel close to all my characters. Deep, deep inside them all. I can't describe how deeply I love them all.
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I've seen other actresses refuse to be ugly. Even if the story line calls for it or the character calls for it, they just can't go there for vanity's sake, and they don't want to be perceived in an ugly way. I was like, 'Nah, I wanna go for this.'
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I was playing this horrible part. I didn't didn't want to play it because the character was an awful racist. But I'm glad I did it because I met Sidney Poitier.
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We can't control the impressions others form about us, and the effort to do so only debases our character.
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People are usually scared of me because of the arrogant character I play. They stare at me with fear that I might just scold them and often run away from me.
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Beauty with character ages better than perfection.
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Eventually, you know the rhythm of your character, of the set of the piece. It takes less energy for you to hit that point, and then everything resonates. But initially, it takes a tremendous amount of energy. You just hope it's gonna be okay and you don't forget your lines and those cameras.
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In 'Twice Born' I play my character in her 20s, 30s and 50s. For the fifty year old scenes, I had some prosthetics; it was interesting to see how I'm going to look when I'm fifty-five or so. I actually saw similarities between my grandmothers and my mother.
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What gets yme excited about a project and character is the director, the script, who's involved in the movie, and the character. Those are pretty much the essentials. If it's something different, if it scares me, in a way, if it will stretch me or push me into certain places that I haven't been to, then I like that. If you're just trying to talk yourself into it, then it's probably not for you. It's hard to be selective.
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I often draw from people in my own experience to base a character on, going back to my days with Mike Leigh.
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I am the character you are not supposed to like.
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The elements and majestic forces in nature, Lightning, Wind, Water, Fire, and Frost, were regarded with awe as spiritual powers, but always secondary and intermediate in character.
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As a biographer, I try to uncover the adventures and personalities behind each character I research. Once my character and I have reached an understanding, then I begin the detective work reading old books, old letters, old newspapers, and visiting the places where my subject lived. Often I turn up surprises, and of course, I pass them on.
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In the long-run, the best proof of a good character is good actions.
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Never sound pompous. You always sound noble, noble. Absolute character of music is nobility. Even popular music can be noble, you see. If it's not noble, then it's not very good... Music is an art of emotion, of nobility, of dignity, of greatness, of love, of tenderness. All that must be brought out in music but never a show of pompousness.
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The endings for all my characters seem sufficiently human and messy for me to feel comfortable with them. In some ways they have only moved an inch, but sometimes an inch is a great distance.
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Whenever I've done a sketch in which I'm asked to play a mom, my brain goes to Minnesota. It makes the character seem matronly, warm, the kind of person that takes care of you and brings you Campbell's soup when you're sick. It's a great shortcut.
