Character Quotes
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There is a very diverse range of superheroes, especially with the Firestorm character. In the comics, there is a black Firestorm. But we still don't see that many black superheroes. So what The CW is doing and what DC Comics is doing with this whole universe with diversity is absolutely amazing.
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The ultimate foundation of honor is the conviction that moral character is unalterable: a single bad action implies that future actions of the same kind will, under similar circumstances, also be bad.
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There's always a concern as an actor that you'll be boring unless your character is swinging from a chandelier.
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I like books that have razor-sharp plotting that snaps and moves along. It's not about the main character being different at the end. I don't want my main character to be different in the end. I still want him committed to his ideas, to be steadfast, true and loyal.
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My novels tend to come about from a fusion of two big ideas, creating a critical mass that then fissions, throwing off hundreds of other particles, riffs, tropes and characters.
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Stage is so important because it teaches me how to convey character with words - how to convey how a character reacts by the way they appear on stage. I can usually tell a playwright from someone who has never written for the stage. Did the character work? Did the dialogue reveal who the character is?
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I have a strong and strange character, and I've rarely met directors who knew what to do with this character. One of the few who did was my father, and in the theatre, Arthur Nauzyciel.
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It is common to distinguish necessaries, comforts, and luxuries; the first class including all things required to meet wants which must be satisfied, while the latter consist of things that meet wants of a less urgent character.
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I'm a flawed character... I viewed this situation as one big lie that I repeated a lot of times.
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Once I start putting all my little insecurities in my mind, I'm not actually acting. Then it's about me - and it should never be about me. It should be about the character.
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The whole team learned a lot tonight, ... I was glad to we had that situation where it was a close game and we had to get it done. We had to get a stop. We showed a lot of character there.
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Sometimes I can't get out of the character because the story is very intense.
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Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
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Anything that's different from your own realm of experience as a human being, whether it's driving a car or a boat, or using guns, anything that separates you from yourself and leads you more towards this character's existence is a big help.
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The man that makes a character makes foes.
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We got things done at the right time tonight. Every time we went down we kept our composure and got back into the game. We were able to get a lead and sustain it. We showed a lot of character being that those guys (Washington) already had their playoff shirts made up and wanted to wear them after the game. We didn't give them a chance to do that, now they have to do it somewhere else. We had an extra incentive to beat them and that gave us a great lift. We just did everything right tonight.
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I fell in love with the classical crossover genre when I was on AGT. I found out that I could use the microphone to establish a deeper intimacy with the audience. I did not portray an opera character; I was my true self. I would sing a four-to-five minute piece for the audience and then I could talk to them and say "Hi" to them! I would not need to act out scenes where my character was dying from tuberculosis or killing somebody else on stage, I could have a nice conversation with them.
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I'm an actor. I'll take a lead if it's offered. The really good actors can fill a character, no matter what the role is. A good leading man is a character actor; a good character actor can be a leading man.
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In 'The Travelers,' everyone is defined by his or her relationship to work. I put each character on a different rung of the ladder: from the lowliest assistant to a powerful man in the world of media.
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The black middle-class in America is a prosperous community that is now larger in absolute terms than the black underclass. Does its existence not suggest that economic adversity is the result of failures of individual character rather than the lingering after-effects of racial discrimination and a slave system that ceased to exist well over a century ago?
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To me, it always comes down to character and script and then director. If a character belongs to me, it's mine. We belong to each other, and I feel a fierce need to tell that story, and it just so happens that a lot of these characters have been residing in pretty dark worlds.
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Shakespeare gives you these clues - these little pieces of gold dust, I call them. They tell you so much about the story, the character, the drive, the intentions. It's like a gift.
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When you take on a role, even if the character is somebody that you are dissimilar to, you have to identify with the role and look for an emotional connection even if there is not a biographical one.
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I've enjoyed working on the TV series that I've worked on, in particular something like 'The Wire,' where there was so much time to tell the story and develop a character. I learned from that that it's best not to lay all your cards on the table straight away.
