Character Quotes
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When I was about six or seven, I did this character reenactment performance where I read a monologue from 'Peter Pan.' I got into a complete Peter Pan outfit and did a little paragraph from the script - and I ended up winning an award for it.
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I think it's important that we have strong, female characters in movies now, which can really leave an impression on people - especially young people - and that they're not 'sexy' or 'cool'.
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With Boris Johnson, you don't think of him as a politician, oddly. You think of him as a media personality because he's a comic character. He's basically Homer Simpson. That makes him strangely bullet-proof.
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What is more important is finding the soul of the character, and making sure it fits well into this story. And that it be dramatic and interesting and captivating, because these people weren't entertainers, you know.
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Be more concerned with your character than your reputation.
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The idea of having different characters is really just to get the storyline across, you know? Coming from one particular character makes, to me, the story boring. I get that mainly from novels and that style of writing or movies where there's multiple characters who carry the storyline.
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A man's work and the conditions under which it is performed are tremendous factors in determining his character.
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I just totally do not believe in this sort of Bart Simpson character who infects so much of our literature and film and TV stuff nowadays, these know-it-all kids who seem to understand the hypocrisy of the adult world so thoroughly and can talk about it with such articulateness. That's bunk.
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That lies should be necessary to life is part and parcel of the terrible and questionable character of existence.
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In the gametes of an individual hybrid the Anlagen for each individual parental character are found in all possible combinations but never in a single gamete the Anlagen for a pair of characters. Each combination occurs with approximately the same frequency.
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The bottom line always remains the same: What is the basic humanity of the character? How do I make them resonate with the reader?
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There is a general notion that playing a bubbly girl is undemanding and less challenging. But that's not the case. You need oodles of energy to bring out the spirit of a lively character. Besides, no two bubbly girls are the same. Every character I have played is different from the other. I love being chosen for such lively roles.
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It's such a private thing - 'my process' - I can just say that the work that I do is like therapy between me and the character.
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For any actor, it's a great privilege to play a character that is very distant from yourself.
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I sincerely believe that there is nothing truly great in any man or woman except their character, their willingness to move beyond the realm of self and into a greater realm of selflessness. Giving back is the ultimate talent in life. That is the greatest trophy on my mantel.
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When I endeavour to examine my own conduct, when I endeavour to pass sentence upon it, and either to approve or condemn it, it is evident that, in all such cases, I divide myself, as it were, into two persons; and that I, the examiner and judge, represent a different character from that other I, the person whose conduct is examined into and judged of.
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I've seen other actresses refuse to be ugly. Even if the story line calls for it or the character calls for it, they just can't go there for vanity's sake, and they don't want to be perceived in an ugly way. I was like, 'Nah, I wanna go for this.'
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That's one of those questions, whether human beings are really capable of change, or if all seeming changes are really a matter of framing the existing character in a different moral situation.
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There's no way the writing staff of 'Game of Thrones' haven't read 'The Art of War.' There's definitely an influence on 'Game of Thrones' from this book in both a general way and on the character of Lord Baelish and his strategies.
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Being on television, playing the same character for many years, for me, I think that would get a little tedious.
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I describe my plots as follows; A character is walking down the street when all of a sudden a piano falls on them. They spend the rest of the story digging out from under that piano. How they dig, how long and how well, this all depends entirely on the character.
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There's a witch under this hair. The red lips are - I don't want to call them "armor," but they're the clothes of my character, and I'm in the business of entertainment. Wearing red lipstick helps get me into that world.
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Never sound pompous. You always sound noble, noble. Absolute character of music is nobility. Even popular music can be noble, you see. If it's not noble, then it's not very good... Music is an art of emotion, of nobility, of dignity, of greatness, of love, of tenderness. All that must be brought out in music but never a show of pompousness.
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Put the greatest emphasis on what's in you; your knowledge, your wisdom, your inner strength, your character, your tenacity and people will look through the box and always walk away with the product.
