Character Quotes
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It seems pretentious to assume that we are not creatures of action. I think often it takes a situation of extreme absurdity, extreme action, to push us to the limits of what our character is, and to change us as people.
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If you don't drink coffee, I am suspicious of your character and will not invite you to my Italian lake home.
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Alice Munro is a particular kind of short story writer in that she writes long, character-driven short stories.
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I sincerely believe that there is nothing truly great in any man or woman except their character, their willingness to move beyond the realm of self and into a greater realm of selflessness. Giving back is the ultimate talent in life. That is the greatest trophy on my mantel.
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That's one of those questions, whether human beings are really capable of change, or if all seeming changes are really a matter of framing the existing character in a different moral situation.
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The sexual orientation of my parents has had zero effect on the content of my character.
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The whole gamut of good and evil is in every human being, certain notes, from stronger original quality or most frequent use, appearing to form the whole character; but they are only the tones most often heard. The whole scale is in every soul, and the notes most seldom heard will on rare occasions make themselves audible.
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I am very proud to be a part of '3 Idiots,' and happy that the character has worked in a big way.
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I'm open to doing any kind of role and any kind of genre as long as it's interesting and as long as I feel it could be a great character to play. I never take into my own personal opinions or my own public image into account when I chose movie roles.
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I like emotional horror. I don't like horror movies. I hate them. But, if you can make emotional horror movies, I'm in. If I can care and root for the main character, then I'm in.
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Non-fiction, and in particular the literary memoir, the stylised recollection of personal experience, is often as much about character and story and emotion as fiction is.
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Oakland's got a lot of character.
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The thing about Depeche songs is that they’re so descriptive. For me, they tell some kind of story about a character who’s trying to redeem himself or to find something to believe in-some kind of faith or hope.
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It's important for me to see as many colors in the character as possible.
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When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?
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When I got a call to do the voice of Johnny in an episode of 'American Dad' titled 'I Can't Stan You,' it was a great opportunity to be a part of a really funny cutting-edge show on television. I really got into the character, and I was able to do some improvisation, which allowed me to mix in part of my personality into the script.
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I don't regret anything. I feel like I've made what I would call mistakes. I picked the wrong movie, or I didn't pursue a character, but everything you do is part of you and you get something from it.
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I always start from scratch with a character - they're never based on anyone else. You get ideas of what people look like, and I'm a great people watcher. You can draw inspiration from people.
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The higher mental development of woman, the less possible it is for her to meet a congenial male who will see in her, not only sex, but also the human being, the friend, the comrade and strong individuality, who cannot and ought not lose a single trait of her character.
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All social inequalities which have ceased to be considered expedient, assume the character not of simple inexpediency, but of injustice, and appear so tyrannical, that people are apt to wonder how they ever could have. been tolerated; forgetful that they themselves perhaps tolerate other inequalities under an equally mistaken notion of expediency, the correction of which would make that which they approve seem quite as monstrous as what they have at last learnt to condemn.
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A man's work and the conditions under which it is performed are tremendous factors in determining his character.
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Princess Peach is in many ways the quintessential stock-character version of the damsel in distress.
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One reason I find all this character growth and narrative swerving so exhilarating is because I never got to do it when I wrote for TV. Our characters needed to remain consistent from week to week.
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It would be hard to play a character you don't like - for me anyway - or can't find something in them to like.
