Character Quotes
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Persistence is the great measure of individual human character.
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Art can help a town by attracting a certain Bohemian population that adds life to the bars, character to the streets and a buzz to the name. Employers may then follow. But art can't do much if every town does it. There aren't enough Bohemians.
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To create a character who really interests you, try combining aspects of your favourite fictional character with a real person.
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A large portion of human beings live not so much in themselves as in what they desire to be. They create what is called an ideal character, in an ideal form, whose perfections compensate in some degree for the imperfections of their own.
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You can say your lines a million different ways and play your character a million different ways and still hit the common, agreed-upon finish line.
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I am no longer going to become a fictional character to please people. That's too much work.
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When I sit down to talk to men's magazines, there's a certain character that I play. She's not fully fleshed out - she doesn't have her own name - but she shows up to do men's-magazine interviews.
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It really helps me to get into the character of the record when I have a designated look. It just really simplifies things for me.
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I felt like if I could get the epiphany out of the way in my drafting process, through my eighth or tenth draft, then that can just be part of how I've assembled the character, and then we can move on and move forward with it. In general, I don't ever want to feel smarter than my characters, because I just feel like that's not a great way to write a story.
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And that's what I really love, is finding a script and fantasizing and going to a different world and kind of portraying a character that is interesting. Because other lives interest us, that's why we read magazines like 'People' and try and fascinate and drool over what other people are doing.
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So, it's cool that, yes, Hal Jordan is a superhero, but my character is a real-world hero in her own life.
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It's depend of the communication, I think it's very important to let the director make his own vision of the character, not making a studio movie. Look the Dark Knight it's totally the vision of Nolan.
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Ramona was originally an accidental character I added to the Henry Huggins books because I noticed that none of the characters had siblings. I added Ramona as Beazus' pestering little sister.
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For every generation, there is a destiny. For some, history decides. For this generation, the choice must be our own. ... Our destiny in the midst of change will rest on the unchanged character of our people, and on their faith.
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I remember playing with some friends and being aware that I was acting as I was playing with them - I would think of a character and pretend to be someone else. My parents also took me to ballet school, and there I think I was able to start communicating those feelings or emotions - I danced for so many years.
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People are not used to seeing an older woman on screen, unless she's playing a character role. Why can't they make a movie about a woman who's forty-five who's falling in love or getting divorced? Why does the leading role always have to be a woman who's twenty-three or twenty-eight?
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I am about to discuss the disease called 'sacred'. It is not, in my opinion, any more divine or more sacred that other diseases, but has a natural cause, and its supposed divine origin is due to men's inexperience, and to their wonder at its peculiar character.
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It's such a private thing - 'my process' - I can just say that the work that I do is like therapy between me and the character.
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In the time between when you first read a script and are offered the role and the time when you begin to shoot, I really love putting in the time and work on that and getting a solid backstory to a character and researching all that I can about what that person does for a vocation or their upbringing or where they're from.
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Avarice is the most oppose of all characters to that of God Almighty, whose alone it is to give and not receive.
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The way I navigate scenes is through what I perceive to be the emotional truth of the character: what he wants from moment to moment.
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It has always seemed to me that any man is a better man for being a hunter. This sport confers a certain constant alertness, and develops a certain ruggedness of character....Moreover, it allies us to the pioneer past. In a deep sense, this great land of ours was won for us by hunters.
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You don't become the character.
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I worked in casting for about five years before I became a director, and that taught me a huge amount because you never actually will see the character walk through the door - and if you do, then you have to be slightly suspicious of that.
