David Bronstein Quotes
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Independence of thought is a most valuable quality in a chess-player, both at the board and when preparing for a game.
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There is not a single true chess-player in the world whose heart does not beat faster at the mere sound of such long beloved and familiar words as 'gambit games'.
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Theory regards this opening as incorrect, but it is impossible to agree with this. Out of the five tournament games played by me with the King's Gambit, I have won all five.
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The most powerful weapon in Chess is to have the next move.
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When everything on the board is clear it can be so difficult to conceal your thoughts from your opponent.
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If you have made a mistake or committed an inaccuracy there is no need to become annoyed and to think that everything is lost. You have to reorientate yourself quickly and find a new plan in the new situation.
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Far from all of the obvious moves that go without saying are correct.
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What the devil possessed me to reply 1. ... e5?? I compltely forgot that Spassky, like Spielmann in the past, very much likes to play the King's Gambit.
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Two passed pawns advancing on the enemy pieces have brought me more than a dozen points in tournaments.
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A game of chess is not an examination of knowledge; it is a battle of nerves.
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To lose one's objective attitude to a position, nearly always means ruining your game.
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Some pieces in the King's Indian appear on a 'special price' list: the dark square bishops are at the top of that list.
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In the middlegame one should not hesitate to advance a central passed pawn.
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Even in the heat of a middlegame battle the master still has to bear in mind the outlines of a possible future ending.
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To play a match for the World Championship is the cherished dream of every chess player.
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Nowadays grandmasters no longer study their opponent's games so much, but they study his character, his behaviour and his temperament in the most thorough fashion.
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Chess is imagination.
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When you play against an experienced opponent who exploits all the defensive resources at his command you sometimes have to walk time and again, along the narrow path of 'the only move'.
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There is no disputing that in the eyes of Schlechter, Teichmann or even Rubinstein, the backward pawn was something more substantial than lively piece play, but in our day the latter is more often preferred.
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It is no secret that any talented player must in his soul be an artist, and what could be dearer to his heart and soul than the victory of the subtle forces of reason over crude material strength! Probably everyone has his own reason for liking the King`s Gambit, but my love for it can be seen in precisely those terms.
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In chess, as in life, opportunity strikes but once.
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But whatever you might say and whatever I might say, a machine which can play chess with people is one of the most marvellous wonders of our 20th century!
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It would be as naive to study the song of the nightingale, as it would be ridiculous to try and win a King's Gambit against a representative of the old chess guard.
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Sometimes at lectures I am asked: how would the champions of the last century play today? I think that, after making a hurried study of modern openings, and watching one or two tournaments, the champions of the last century, and indeed the century before that, would very quickly occupy the same place that they occupied when they were alive.