Character Quotes
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Since I've had some success, story and character are always the two elements I think about first in material presented to me. Some of my choices have been more successful than others.
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The doctrine called Philosophical Necessity is simply this: that, given the motives which are present to an individual's mind, and given likewise the character and disposition of the individual, the manner in which he will act might be unerringly inferred: that if we knew the person thoroughly, and knew all the inducements which are acting upon him, we could foretell his conduct with as much certainty as we can predict any physical event.
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Physical excellence does not of itself produce a good mind and character: on the other hand, excellence of mind and character will make the best of the physique it is given.
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Interestingly enough, for me, a character like Captain Jack, you feel like you could just continue. The possibilities are endless and limitless. There is any possibility of madness and absurdity that could commence, so you feel that, with this character, you're never really done.
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Out of suffering have emerged the strongest souls; the most massive characters are seamed with scars; martyrs have put on their coronation robes glittering with fire, and through their tears have the sorrowful first seen the gates of Heaven.
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I try to master every facet of a character in order to build a safety net for myself, so I can go on to take more risks to create someone really distinct.
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Fight scenes are very physical for me. Sometimes I require my own body to move through them before I can tell where a character's likely to feel it.
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I tend to come up with people more than situations - most of my books start with a character.
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A novel I read when I was about 17 or 18 - 'The World According to Garp,' by John Irving - really made me want to become a writer. The character of Garp is a novelist, and at the time, the whole lifestyle of being a writer was hugely appealing to me.
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I've enjoyed working on the TV series that I've worked on, in particular something like 'The Wire,' where there was so much time to tell the story and develop a character. I learned from that that it's best not to lay all your cards on the table straight away.
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Superman is pretty much the way he was - you know - what he's always been. A lot of the Marvel characters are products of their time. I think Batman, as a character, has been able to adapt; he's pretty malleable.
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I've never disliked a character I've played. I've always tried to find the humanity and the reasons for what he does.
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I started out on the stage, then I had a great career in television for quite a few years. The good news about a TV series is that they give you a certain amount of fame and money. The bad news is that you're in people's living rooms every week and get associated with a particular character.
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My hope is that I'm going to continue to make more and more challenging work that's going to come out more and more interesting. I don't know if that will always continue to happen, but every one of my films has definitely been a progression as far as complexity of narrative, character, and plot.
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It is ironic you could make an animated film about a dog that's a universal character, but God forbid it be a human being who is not a man.
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Trifles discover a character, more than actions of importance.
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There is a little bit of me infused in every character I play.
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Edith Wharton was a natural story-teller. As plots do in real life, hers flow directly from character. Her prose is so effortlessly elegant that you're rarely aware as they purl by that the sentences are so pretty. More concerned with what is put than how it is put, she also understood that you only say anything at all when you say it well.
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People come, people go – they’ll drift in and out of your life, almost like characters in a favorite book. When you finally close the cover, the characters have told their story and you start up again with another book, complete with new characters and adventures. Then you find yourself focusing on the new ones, not the ones from the past.
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Being on the run wasn't fun, but it was something I had to do. I was actually working in legitimate jobs. I wasn't living on people's credit cards. I was living like a character out of a movie. It was performance art.
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Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
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Don't think twice. If it's a character that you feel compelled to play and story that you feel needs to be told, don't think twice.
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Bond in 'Goldeneye' is pretty much a set character. To be honest, he's another version of Connery, and Connery was terrific. How many submarines can you blow up? How many control rooms are evaporating?
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I really think that the Jersey Boys musical - and this is just my opinion - lends itself to being cinematic in some way, because its a jukebox musical; the characters break into song only for the scene transitions.
