Character Quotes
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Modernism has a reputation for being a forbidding phenomenon: its visual arts disconcertingly non-representational, its literary efforts devoid of the consolations of plot and character - even its films, it's argued, fall well short of that true desideratum: entertainment.
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To me, it all comes down to things being character-driven. It's hard for me to look beyond that. CG and all this cool stuff - so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.
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There comes a point in any project where you have to say - whether you like or understand the character, or the whole play for that matter - 'I believe!'
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I think initially we wanted to use the first letter of the character's name. We thought S was perfect.
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When I'm writing a woman character, I don't think, 'What would a woman do?' I just think, 'What would this character do in this situation?'
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Trifles discover a character, more than actions of importance.
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I don't know who made the first Aquaman joke. I'm sure it was comics readers; maybe we all did. But it's the idea that the perpetuated story of Aquaman is that he only has powers in water, and he talks to fish. I think it's the idea of him in the middle of a city just doesn't make a lot of sense to people. It's just the character itself.
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I believe that to create real-seeming characters, the writer must be willing to go on a voyage of self-exploration. It can be revealing and even painful to explore your own weakness, but it gives you genuine emotion. Characters in fiction come alive because of the believability of their emotional lives and that is what I strive to create.
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Interviews, when they are just simply an exercise in hearing what you want to hear, are of no interest. And many, many, if not most interviews have that character. The interviewer who comes in with a list of bullet points they're going to address one after the other. Interviews, properly considered, should be investigative. You should not know what you're going to hear. You should be surprised.
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If I had been born with an aggressive character, then maybe my palmares would have been longer.
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Twelve Priceless Qualities of Success: 1. The value of time. 2. The success of perseverance. 3. The pleasure of working. 4. The dignity of simplicity. 5. The worth of character. 6. The power of kindness. 7. The influence of example. 8. The obligation of duty. 9. The wisdom of economy. 10. The virtue of patience. 11. The improvement of talent. 12. The joy of originating.
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A fictional character living in a nonfiction world.
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The measure of human character is our reaction to dark times. No one can sidestep darkness. It is the throne upon which light sits. If a soul has not known sadness and struggle, there is no chance of overcoming, no cherishing the dawn.
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Without my attempts in natural science, I should never have learned to know mankind such as it is. In nothing else can we so closely approach pure contemplation and thought, so closely observe the errors of the senses and of the understanding, the weak and strong points of character.
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Sometimes, if you leave yourself open, an actor can bring nice nuances to a character.
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The thing about Ray is, he's not going to panic. He's been around forever. He was able to play tackle for us last year and now he's come in to play guard. He's a pretty unusual person. He's been given a great body, but with Ray, it's also about character.
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I dont categorize characters into one syllable. These are fully-rounded characters that I dont judge; I just play them.
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To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.
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With all of the characters I've played, I feel like I've tried to communicate through my eyes and face, as much or more than with words. That's something that I like to watch in films, and something that I like to bring to the characters that I play.
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I hate shows, personally, where people stand around tossing stuff at each other, and any character can say any line, because you don't believe any of these characters care for each other. I used to fight with my friends who wrote on 'Seinfeld,' because they had such great pride in saying it was a show about nothing.
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I love factoids. It's hard for me to keep those out. It just takes realizing that it's stopping the character. Part of it is the decision to keep things where you want to train the spotlight. For me, it's the personal side. I always ask, How does the person inside the character relate to this?
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If you are the kind of guy who draws in 100 million people to see his film, you've got every right to be paid accordingly, but I qualify as a character actor. I don't put a bum on a seat.
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Losing yourself in the character opens you up in a way that no amount of precise preparation can.
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Everyone on the planet has a dark and a light. That's a multi-dimensional character.
