Character Quotes
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I consider myself a character actor.
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We're at a point nowhere it has to change. We have characters that are not alive that are alive in the book. We have characters that never appeared in the book. We have a lot of events that didn't quite happen the same way in the book. But there's so much in the book, stuff we've passed in the timeline that I really thought was awesome, that I really wanted to get to.
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I started thinking about the endless bullshit about quotas, and how certain types of character are fine "as long as it's important to the story," and so on, started thinking about the absence of the abject.
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I like situations that push a character to the edge.
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Besides the mistakes that are pointed out, I love the way readers become involved with the characters. When readers start asking about character motivations instead of concentrating on the special effects, it means you're connecting with them on a personal level.
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The people I've respected most in the industry over the years - Paul Newman, for instance. I just loved the way he handled growing old on-screen. It's understanding that you're now basically a character actor.
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The lead character in 'Adaptation' is pretty much me but with more talent. Every time I watch 'Adaptation,' I feel very emotional because it makes me be kinder to myself and see the human situation a little more clearly.
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The distinctive contribution that metaphysics makes to our understanding of reality is first that it considers questions about features of reality that the sciences don't, such as the intrinsic nature of causation or the dynamic character of temporal experience.
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Big picture, it's amazing to create characters and see them brought to life in the art. And to love that art. But I especially enjoy writing a character with heightened powers that aren't especially useful to him.
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I think if I weren't so beautiful, maybe, I'd have more character.
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The accent is always critical for me because it informs a lot of the character.
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Bond in 'Goldeneye' is pretty much a set character. To be honest, he's another version of Connery, and Connery was terrific. How many submarines can you blow up? How many control rooms are evaporating?
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In real life, I'm a large character, and I need the space and platform to be large.
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You know, the hard thing about audiences not liking what a character does is that they sometimes take it out on the actor personally. That's something that you know when you become an actor or actress, but it's always hard to deal with when it actually happens.
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I'd never really been in a series, where you see a man at different points and perspectives in his life. Usually it's a film, where I'm playing a character who just comes in and offers something up.
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When I look at life I try to be as agnostic and unmetaphysical as possible. So I have to admit that, most probably, we do not have a fate. But I think that's something that draws us to novels - that the characters always have a fate. Even if it's a terrible fate, at least they have one.
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The thing is when you play a character it's the persona you bring across from a book to film, or book to script to film. If I play Frank Sinatra, there's gonna be things I do in a movie that Frank might not have done, but it's the personality that comes across.
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I think what's fun about the Western genre is the character arcs are very strong and, arguably, more interesting and exciting than the action that is metaphorically representational of those arcs.
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Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you...
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My mum's an opera singer: I grew up watching her get swept up in music and transform herself into characters. She taught me that music is a lifelong journey, and that with every day and every song and every gig you learn something new.
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Military leaders aren't made. They are born. To be a good leader, you have to have something in your character to cause people to follow you.
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I always tend to think, even in residential projects, about what a space is being asked to do - where is it located, what are the circumstances, where can I attack the problem, so to speak. How can you create a narrative for people moving through it? How can you convey its character?
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True character stands the test of emergencies. Do not be mistaken, it is weakness from which the awakening is rude.
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I've made a wonderful living playing that theatrical character - the professional brassy dame.
