Character Quotes
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I don't want to do an action movie, because I've acted in them, and they're so boring to do, because they're so technical. The headache of that is daunting. But, if it were an action movie with really interesting characters, how great would that be?
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I think Ryan Gosling is a really great actor who's meticulous about his work. And I'd love to have the guts that Johnny Depp has to actually go outside the box on a character. When he plays a character, he plays it in a way that nobody else would.
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This election marks a significant moment in Haiti; it not only serves as the basis of hope along the road to democracy, but also serves as a testament to the resolve and character of the Haitian people during their long struggle for peace, reconciliation, and prosperity.
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Be more concerned with your character than your reputation, because your character is what you really are, while your reputation is merely what others think you are.
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It's great playing a mature character. It adds something.
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T.V. is the place to do the kind of films that were done in the 40s and 50s: the little guy against the system. There are so many opportunities in T.V. to do more character pieces. Everything is so hard-edged in features.
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There can be no good character in civil government if there is none in the people. You cannot make a good omelet with bad eggs.
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Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.
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An author's life is different, complex, and ongoing, while a character's remains frozen in one little story.
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Gerald is the eternal optimist who has what could be perceived as a handicap -he can't speak - but he figures out clever ways to communicate ideas so he doesn't let it stop him. He goes through life with rose-colored glasses and doesn't think 'I can't.' I think that's a great character to put out there for kids.
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I see myself as a character actor, and I've always been drawn to playing characters that are different from myself because acting is escapism for me. I've never been that comfortable playing people that are like me.
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My Cape women are generally true to type - big hearted, motherly women who love the sea. My other characters, with the exception of the Portuguese, who I occasionally mention as Cape dwellers, are obviously drawn from the city types one sees in everyday life.
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There are occasions when a woman, no matter how weak and impotent in character she may be in comparison with a man, will yet suddenly become not only harder than any man, but even harder than anything and everything in the world.
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I've done soap operas in New York, playing a continuing character who goes through changes and develops, but none of that has created the enduring interest that 'Twin Peaks' has.
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As you get older, you suffer fools less easily. That's why there's all those cranky character actors. I'm an exception. I'm a sweetheart.
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Jack Campbell's dazzling new series is military science fiction at its best. Not only does he tell a yarn of great adventure and action, but he also develops the characters with satisfying depth. I thoroughly enjoyed this rip-roaring read, and I can hardly wait for the next book.
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I think that people are looking beyond the wig. I think they are saying, This isn't just a costume; there's a person behind this. If this costume, this character, this person has this kind courage? Why don't we share that?
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When you're building a character, or at least when I'm building a character, you start saying, 'How am I going to make people like him?'
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Character is more important than talent.
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People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process.
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Socialists must be in favor of an aristocratic form of government. We must have the best men for the job . . . In the dictator you must have a man who has not only the power to govern but the force of character to impose himself as dictator whether you like him or not.
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The true Mason is ever vigilant for subtle traces of character and personality flaws which daily experience brings out.
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I demand of you, and of the whole world, that you show me a generic character... by which to distinguish between Man and Ape. I myself most assuredly know of none.
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What your character does for a living is one of the most important choices you can make in a screenplay, even if their job is tangential to the story, because it tells you everything about the condition of their life. Are they doing what they love? Are they doing what they hate?
