Character Quotes
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I am not Dwight Schrute, okay? I played a character for 200 episodes, and it was an awesome character, and he was a beet farmer. That doesn’t mean you should hand me beets or make beet jokes every time I go into Starbucks and ask if they have like a beet latte or something like that.
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Being on 'The Following' is constantly flying by the seat of my pants. The story can change and the character can change at a moment's notice.
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When you create a character, you create it for yourself - you do whatever you want. It's your job to explore it in as many different avenues as you can in order to make it a fully wounded character.
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Everyone asks me, 'Why do you choose such subversive or shocking themes?' but when I'm alone in my office, I'm not like, 'OK I'm going to shock.' I want to write about a character who fascinates me, someone who I don't understand.
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I could never write a book where the point-of-view character was a short person, because I just can't imagine what that's like.
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Republicans are people who, if you were drowning 50 feet from shore, would throw you a 25-foot rope and tell you to swim the other 25 feet because it would be good for your character. Democrats would throw you a hundred-foot rope and then walk away looking for other good deeds to do.
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You take what you know, and you put it through your own prism. If I play characters that break down or cry, it's Gary Oldman crying; it's not the character crying.
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Most actors will tell you this - I don't really know how to connect, empathize with, or make worthy of any revelation a character that doesn't have love in there somewhere, that doesn't have an idealism or an empathy in there somewhere.
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The less you know about me the easier it is to convince you that I'm the character on screen.
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
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We don't relate to her too much because you don't want the heroic character to not be heroic.
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I try not to carry any character back home because that would be extremely frustrating for my family.
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I was not put here to be a background character in someone else's movie!
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I always knew that I could go deep. How deep? I don't know. But it always seems that with each character I take on, I'm challenged to go deeper than the last time, and then again deeper than the last time. This is the deepest I've ever been asked to dive. And to see how deep I actually went for this, and that I wasn't afraid to go there in order to give Tyler exactly what he envisioned for the character, which was pretty deep, that's what I discovered about myself.
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When I first went to Pittsburgh, I had never been there before, and we hadn't even decided to shoot there yet. I just went to see the location of Michael Chabon's novel. Once there, I became aware that Pittsburgh is a "wonder boy," in the narrow sense of the term, just as the human characters are.
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Im able to hang up the character with the costume at the end of the movie.
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What you can do with visual effects is enhance the look of the character, but the actual integrity of the emotional performance and the way the character's facial expressions work, that is what is going to be created on the day with other actors and the director.
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I go through a whole process with the actors first, building and creating characters, then I encourage them to sort of live in that character when they're in the screen.
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I'm a character actor; that's my skill set.
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The so-called incorrigibles were not the way people said they were. I found a lot of character in some of these people.
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'Divergent' was my utopian world. I mean, that wasn't the plan. I never even set out to write dystopian fiction, that's just what I had when I was finished. At the beginning, I was just writing about a place I found interesting and a character with a compelling story, and as I began to build the world, I realized that it was my utopia.
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I don't talk about how old I am because sometimes it can affect parts that you get in Hollywood. I don't believe that it's a necessary element. I feel that I'm a character, and I'm an actor. People focusing on my age instead of the role I'm playing can be a hindrance.
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Hitchcock was a character. In one particularly scary scene I had to sneak down a dark corridor. When I got to the end there was Mr. Hitchcock, sticking out his tongue and flapping his hands in the back of his ears. I didn't dare laugh, because the cameras were turning. But he certainly eliminated any tension I felt.
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My character and personality is today and tomorrow; I do not work well remembering further back.
