Character Quotes
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When I first started, especially because I got the Critics' Choice before I'd released an album, there was a lot of scrutiny on what my character was, what my background was, what colour my hair was. I fought quite hard for the music to overtake the personality aspect.
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What defines someone as a 'man' should not be the clothes they wear or how deep their voice is. It should be the content of his character, his strength in the face of overwhelming adversity, and his ability to still love and help others when the world has turned its back on him.
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Conscience is the frame of character, and love is the covering for it.
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I don't talk about how old I am because sometimes it can affect parts that you get in Hollywood. I don't believe that it's a necessary element. I feel that I'm a character, and I'm an actor. People focusing on my age instead of the role I'm playing can be a hindrance.
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When I'm breaking in a character like Jessica Jones, I have this amazing opportunity to create her backstory. It's all of the work that happens before I'm ever on camera... Writing 'Bonfire' was like doing all of that fun stuff; it was like 300 pages of prep work.
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It's been amazing to play a character that's known by so many people, especially because everyone knows at least something about Peter Pan.
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Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.
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With any show, when fans come up to you, they assume you're just like your character.
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You know what I loved about 'Sideways'? Well, the wine, of course. But it was one of the few movies in which being a writer was realistically depicted. I loved how the Paul Giamatti character tries so ineptly to talk about his book.
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Everyone asks me, 'Why do you choose such subversive or shocking themes?' but when I'm alone in my office, I'm not like, 'OK I'm going to shock.' I want to write about a character who fascinates me, someone who I don't understand.
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Infelicity is an ill to which all acts are heir which have the general character of ritual or ceremonial, all conventional acts.
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If you do something that is not gags and punchlines and is character-based, where there are no jokes as such, then it all has to come from a place of truth, and I love that - I love nothing more than getting very serious about my comedy.
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I saw 'Star Wars' for the first time when I was four years old. Sure, I thought Princess Leia was awesome. But the character I identified with most was Luke Skywalker. I left the theater certain the Force was strong with me, that I could train to be a Jedi and wield a lightsaber just like Luke.
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In film you can use images exclusively and narrate a whole story very quickly, but you don't always so easily find the form in cinema to dig deeper into human thoughts and emotions. And in a novel you can much more easily express a character's inner thoughts and feelings.
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When you play a character, there are choices you have to make about the past, the present, the future, etc. You have to make those choices on your own a lot.
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As a parent, you have to figure out how to shape your kid's character. You want to have human beings who learn about good character. You have to be able to see your child with clarity, see the good side and the bad side of them, and work on the bad side and make them better so they fulfill their potential.
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I wrote 'Fight Song' as this declaration to believe in myself, and that is similar to what you are taught to believe in Girl Scouts. Building confidence. Building character. And above all else, being there for each other as a community.
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Spiritual formation is character formation. Everyone gets a spiritual formation. It's like education. Everyone gets an education; it's just a matter of which one you get.
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I try not to carry any character back home because that would be extremely frustrating for my family.
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I'm not somebody who's emotionally attached to an outcome of a character that I'm hired to play. The fans are.
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Nothing beats an 'Archers' fan for their levels of devotion. I think it's because it's radio, and you obviously conjure up an image of the character that is so powerful.
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More-radical scholars insist that an inherent clash exists between science and our long-held conceptions about consciousness and moral agency: if you accept that our brains are a myriad of smaller components, you must reject such notions as character, praise, blame, and free will.
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The character of our praying will determine the character of our preaching. Light praying makes light preaching.
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I think the biggest lesson that I take from 'Avatar' on any set that I go to is just work ethic. Working with Jim Cameron, you're used to working very, very long days and you're very meticulous about details. He's very, very picky about little details, little character-isms and things.
