Character Quotes
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When I was young I used to sit in the cinema thinking wouldn't it be great if you could have a film in which the characters were like real people instead of being like actors.
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Individualism is the self-affirmation of the individual self as individual self without regard to its participation in its world. As such it is the opposite of collectivism, the self affirmation of the self as part of a larger whole without regard to its character as an individual self.
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I probably spent the first 20 years of my life wanting to be as American as possible. Through my 20s, and into my 30s, I began to become aware of how so much of my art and architecture has a decidedly Eastern character.
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I've always been a huge fan of Charles Lawton's performance in 'The Hunchback of Notre Dame,' so somewhere along the line, I've always wanted to play that character.
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Invisible Boy was fun. Everybody else's character, they knew where they were at already as a superhero. But invisible boy's character, you kind of grow up with him within the movie.
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The Royal Festival Hall in London is nice; people hang out there. I think this inviting, non-exclusive character is very important.
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When I'm working in television, I've learned you've got to work fast. You don't have time to rehearse; you don't have time to just mess around. You've got to move quickly. So I pick that up from that world, and I also pick up the idea of development of character and development of situations.
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Reduced to its lowest terms, the great struggle which now rocks the whole earth more and more takes on the character of a struggle of the individual versus the state.
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A lot of crime writing suffers from treading water. I feel an obligation to move the character on and not repeat myself. I try to fit him into a different period and a different agenda. That way, you learn slightly more about his personal history in the tradition of the unreliable narrator. It makes it more challenging to write.
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Seven social sins: politics without principles, wealth without work, pleasure without conscience, knowledge without character, commerce without morality, science without humanity, and worship without sacrifice.
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I've been in the studio experimenting on making a CD of my own. I'm trying out different producers, styles, sounds. With music, as opposed to acting, you are not playing a character. You are showing people who you are. I really want to have my spirit in it.
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The social dimension of the art world is fascinating to me, but I also want to entertain the reader, so I will let a character say something funny.
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By offering an education centered on values, the faculty in Catholic schools can create an interactive setting between parents and students that is geared toward long-term healthy character and scholastic development for all enrolled children.
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I played crying people in corsets for a long time, but I went into acting to be a character actor.
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You can't sit here and try to predict what kind of character I'm going to be drawn to next. At the time when I read 'The Girl on the Train,' it wasn't like I was, 'Ooh, I want to play a hot mess next.'
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I am writing about people who are alive in the city of New York during mid-20th-century America. And these people are like a character in a play or they are figures in a short story or a novel.
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Remember that you are an actor in a play, and that the Playwright chooses the manner of it: If he wants you to act a poor man you must act the part with all your powers; and so if your part be a cripple or a magistrate or a plain man. For your business is to act the character that is given you and act it well. The choice of the cast is Another's.
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For me, I never take a job thinking it's going to grab ratings or that it's even going to be a success. I don't. I just take the job because I love the character. Or I love the script. Maybe I love the director. But whatever I do, I never think about how it will do. That is not in my hands.
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My buddies all still make fun of me about the whole 'Leprechaun' thing, and I'm proud of that movie. I'm just as proud of that work as I am of anything else that I've done. I feel like where I was in my career at the time, I committed to the character.
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Being able to stay with a character over the course of years is a gift.
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With most good scripts and good shows, they expect the actor to bring some of their ideas to the backstory of the character. It's always a good collaboration between the actor and the writer and the director to try stuff out during the process.
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As you do on any cable series, if they introduce you as the villain, then you better start working towards making him a really good guy, or if they introduce you as a really good guy, then you better start working towards being the villain. Your character has to go somewhere, or else they become very uninteresting.
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There's different ways of getting into character. There's what's called 'the outside,' in which is finding the physicality of the character first. To give an example, in 'Gettin' Square' - Johnny Spitieri - that's how I found that character. I knew those people that I'd seen up at Kings Cross. I knew how they sounded.
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But this character is very different from me. Her world is very distant from mine. Her relationship with her daughter is obviously something that's very distant to me as well.
