Kiefer Sutherland Quotes
There are certain moments that you have to hit in a film, like when a character cries.
Quotes to Explore
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I've had a pretty charmed life, so there's nothing that I need to take too seriously right now.
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I love being a woman and I was not one of these women who rose through professional life by wearing men's clothes or looking masculine. I loved wearing bright colors and being who I am.
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The stopwatch doesn't lie. The tape measure doesn't lie.
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The security link between us and Europe is very important for European security but also for our security.
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I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
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Getting to perform at the Carlyle, following in the footsteps of women like Elaine Stritch, Barbara Cook, Christine Ebersole, Kelli O'Hara, and so many others, is nothing short of a dream come true.
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People are wired for lots of things. We're wired for novelty. We're wired for humor. We're wired for new pieces of information that surprise us in some way or add value to our lives. We're wired for fear.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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My hair and my accent are sort of my main assets.
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My characters hope for better lives.
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In falling over in heels while trying to look attractive, you don't just hurt your body, you bear the humiliation of injuring your very soul. Physical pain? Whatever, bring it on. But the humiliation? Oh, you have seen to the very weakest part of me.
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I am no longer concerned with sensation and innovation, but with the perfection of my style.
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My first book was poetry, but I didn't write it first. I wrote it third. So my first two books were prose.
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I remember when 'The Right Stuff' opened in Hollywood. I got dressed that morning and drove my car down to the theatre that it was playing on, thinking that there would be mobs of people outside. When I looked, there was nobody there.
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Growing up in inner-city Glasgow, it sometimes seemed to me money hadn't been invented.
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I'm going to fight to the death for a public option.
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Stress on fast growing companies comes from a lot of different places. The one that is often the largest, and creates the most second-order issues, is the composition of the leadership team. More specifically, it's specific people on the leadership who don't have the scale experience their role requires at a particular moment in time.
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Well, one thing, you got to stand in a courtroom and listen to a judge sentencing you to 25 years in prison before you realize that freedom of expression can no longer be taken for granted.
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Most people think I'm from New York or something. I was, like, 70 pounds heavier than what I am, and I didn't get no girls... I was definitely more on the deep fried crab than I was on the baked chicken side.
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Sacrifices are concerned with the feelings of devotion and longing.
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You become a character in a meta-drama into which your own dramatizing has pitched you. The rewards can be fantastic, the punishments dismal; it's a zero sum game, and its guarantor of value, its marker is that you pretend you play it solo, preserving the myth that you alone are the wellspring of your creativity.
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There are certain moments that you have to hit in a film, like when a character cries.
