See Quotes
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I do believe that I will see the apocalypse in my lifetime. And when it comes, I'm not repenting for anything I've done.
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Our central theme is, How good you can get? How hard can I go to see how good you can get?
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There is nothing known as "Perfect". Its only those imperfections which we choose not to see!!
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As I was writing 'The Shock Doctrine', I was covering the Iraq War and profiteering from the war, and I started to see these patterns repeat in the aftermath of natural disasters, like the Asian tsunami and then Hurricane Katrina.
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If I had a girl I'd love to see her in my clothes. It's real romantic.
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Cursing is highly effective in person - someone kicks his car in rage, forgetting he's wearing flip-flops, flames pour from his mouth, and it's impressive. But you see it in print, and it's just ugly.
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I love old books. They tell you stories about their use. You can see where the fingerprints touched the pages as they held the book open. You can see how long they lingered on each page by the finger stains.
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I tend to see my characters from inside and outside at once; this is a technique I use to retain a slight distance. It means my characters can act in unexpected ways on two axes: physical and mental. It isn't just, 'I thought this and then I did this,' which is the technique of the modern psychological novel.
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He does not weep who does not see.
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You'll see it when you believe it.
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I would like to see more new productions of new material by new composers/lyricists/book writers. I would like to see people take more chances. I think because everything costs so much they're not taking the chances they used to.
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Wagner is contrapuntal in a philosophical way as well as a musical way. What I mean by that is that every tendency has its opposite, and you see that in the man himself. He's a metaphysical hermaphrodite - he embraces hard and soft, masculine and feminine.
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Your children will see what you're all about by what you live rather than what you say.
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I get really scared about how the Internet is shifting and changing everyone's minds, and the way we see ourselves and interact online. Everything is so diluted now.
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Growing up biracial, I didn't have someone to look up to watching TV or movies. Halle Berry was the closest one who looked like me. I'm happy to see more biracial people on screen, and I'm happy to represent for the little girls who didn't have someone who looked like me on TV.
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In retrospect, we could see that the 1950s had been a reactionary period in America of Eisenhower blandness, of virulent anticommunism, of the 'Feminine Mystique.'
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Herod, God! - all young Poland 's given into Herod's hands. What do I see? Long white roads like stations of the cross, long roads unseen through ancient forests, through the snow, all roads leading North. There, there, to the far country, they float like rivers.
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We often see literature about women that impair and immerse the women themselves, such as when women are portrayed as objects of consumerism.
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I'm a big fan of films that I grew up on and would watch obsessively, over and over again. If I didn't feel like I got everything on the first watch good, I want to see it again immediately.
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We don't move on in the stunt unless it looks like a hit. So when I see it on TV, I'm generally satisfied that people are going to buy it.
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You see your peers weighing 80 pounds and you think, 'Oh, my God, I've got to be 80 pounds or I'll fail.'
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I resolved to abandon trade and to fix my aim on something more praiseworthy and stable; whence it was that I made preparation for going to see part of the world and its wonders.
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I started going to exhibitions in Switzerland when I was 10 or 11. As a schoolboy, I would go every afternoon to see the long, thin figures of Giacometti.
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You're blinded by lights and you see all these people who come out, and it's exciting. It's scary and it's exciting all rolled into one.
