Different Quotes
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For the duration of its collective life, or the time during which its identity may be assumed, each class resembles a hotel or an omnibus, always full, but always of different people.
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The idea of doing a children's film is different, but quite honestly I like doing anything - any genre. I've only made one Western, which was 'Three Amigos,' but I would love to make a serious Western. I'm just wide open.
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The work is different in the sense that I haven't had to travel round the world raising money, or work from the genesis of the project. But the collaboration feels clear always, it's sort of my drug, I'm in it for the conversation. The conversation's the most important part of it.
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I can feel that the world this day is different than all the days of our lives before.
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The things kids can do on screens can be really delightful - if they are age appropriate. But no, they shouldn't spend all their time on a screen; they should split up their time doing multiple, different things.
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I did this TV show, which was my first job ever. It wasn't a real acting part. It was like this promo for this sitcom and the main actress was meeting three different real people and then she was going to decide who was going to be on the episode.
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People of difference are always held to different standards.
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I have the advantage of many perspectives as someone who has lived in different kinds of communities: as a woman, as someone who previously identified as a lesbian, as someone who is a person of color. I've had a lot of life, so that informs what I do.
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I had some difficult times when I first moved to Los Angeles when people would tell me I was saying things wrong. I felt different although my mum kept reminding me it was OK to be different.
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As I continue to evolve as a filmmaker, I'm going to continue to do different stuff.
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Whether the story reflects the facts is obviously a different matter.
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When I was little, like Maleficent, I was told that I was different - and I felt out of place, and too loud, too full of fire, never good at sitting still, never good at fitting in. And then one day I realized something, something I hope you all realize. Different is good.
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It was important to have a similar energy in my performance. To make the character too different would have just been about my ego because it didn't need to be drastically different.
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Just the fact that there's motion and sound, took me a long time on Walking Dead to get used to the fact that in television, characters don't have to say things. In comics, people have to say I feel this way, or I want to do this, and you can do so much with gesture and movement and facial expressions that you can do sometimes facial expression stuff in comics, but you can do so more if somebody can move around without actually speaking. That leads to a different style of writing between the two mediums.
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You still have Top 40 radio now, but it's 40 different stations. There aren't many hits that everybody knows, and there aren't many real superstars.
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If you believe that feeling bad or worrying long enough will change a past or future event, then you are residing on another planet with a different reality system.
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If the earth were not round, heavy bodies would not tend from every side in a straight line towards the center of the earth, but to different points from different sides.
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Many creative people have a certain degree of dissatisfaction with the status quo, the established way. If you look at things differently, you are thought of as 'different.' In turn, 'different' people are thought to be 'mad.'
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Personally, I like to juice up several different kinds of fruit and vegetables - which may include various combinations of bananas, red bell peppers, apples, carrots, celery, broccoli, spinach, parsley, tomatoes, cucumbers, etc.
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I made three or four different fonts during 'Short Term 12' -' it was how I'd calm my mind between scenes. I have graph paper and gel pens, and I would do the alphabet: just do 'a' over and over again until I got it perfect and then go to 'b' and then 'c'.
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I had been very dismissive of popular fiction - in fact, I'd refused to read it. And then I started working on popular fiction, and I realised these books weren't the same as Hemingway, say, but they were good in a different way.
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I sort of wanted to reveal this other side of Asia: Southeast Asia, where the Chinese have been wealthy for generations and have different ways of relating to money. I wanted to sort of reveal this world to readers.
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I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.
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Pragmatism asks its usual question. "Grant an idea or belief to be true," it says, "what concrete difference will its being true make in anyone's actual life? How will the truth be realized? What experiences will be different from those which would obtain if the belief were false? What, in short, is the truth's cash-value in experiential terms?
