Museum Quotes
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Museum collections have given photography rigor, and mortis.
Bill Jay
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I think with my hands. I design things to be touched-not for a museum. A piece is ready when it has the shape of something to cherish.
Eva Zeisel
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I think that still, for the most part, even in 2010, the vast majority of museum shows and gallery shows and gallerists are pretty much dominated by men. So having a sense of what women are up to, for me, frankly, is very, very important.
Carrie Mae Weems
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Seeing your work go into storage in an art museum is obviously a tragedy of any cultural product - which doesn't mean I am anti-institutional.
Aleksandra Mir
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There was a belief after World War I that painting could be an act of civil revolt. I want this exhibition, 'New Museum,' to be an act of civil disobedience. It's not so much about the New Museum on the Bowery, but the idea of challenging museums as projections of cultural authority. It's painting as insurgency.
Richard Phillips
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The definition of public art to me means everything and means nothing because for me, all art is public. Art has to be public by definition and in a way It has to be accessible to any audience not just a work in a museum or an art gallery.
Emi Fontana
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The primary purpose of the Museum is to help people enjoy, understand, and use the visual arts of our time.
Alfred H. Barr, Jr.
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Sometimes I feel like a caretaker of a museum -- a huge, empty museum where no one ever comes, and I'm watching over it for no one but myself.
Haruki Murakami
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I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
Neil Farber
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Life did not intend to make us perfect. Whoever is perfect belongs in a museum.
Erich Maria Remarque
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If you really want to seriously think about life, and therefore take painting very seriously... and take seriously the joys that it can bring to one, then you want to go to museums. You want to study the great of the past..
Nelson Shanks
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So much of the most important personal news I'd received in the last several years had come to me by smartphone while I was abroad in the city that I could plot on a map, could represent spatially the events, such as they were, of my early thirties. Place a thumbtack on the wall or drop a flag on Google Maps at Lincoln Center, where, beside the fountain, I took a call from Jon informing me that, for whatever complex of reasons, a friend had shot himself; mark the Noguchi Museum in Long Island City, where I read the message ("Apologies for the mass e-mail...") a close cousin sent out describing the dire condition of her newborn; waiting in line at the post office on Atlantic, the adhan issuing from the adjacent mosque, I received your wedding announcement and was shocked to be shocked, crushed, and started a frightening multi week descent, worse for being so embarrassingly cliched; while in the bathroom at the SoHo Crate and Barrel--the finest semipublic restroom in lower Manhattan--I learned I'd been awarded a grant that would take me overseas for a summer, and so came to associate the corner of Broadway and Houston with all that transpired in Morocco; at Zucotti Park I heard my then-girlfriend was not--as she'd been convinced--pregnant; while buying discounted dress socks at the Century 21 department store across from Ground Zero, I was informed by text that a friend in Oakland had been hospitalized after the police had broken his ribs. And so on: each of these experiences of reception remained, as it were, in situ, so that whenever I returned to a zone where significant news had been received, I discovered that the news and an echo of its attendant affect still awaited me like a curtain of beads.
Ben Lerner
