Artists Quotes
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A dream set would include songs by other artists like Paul Simon, Joni Mitchell, and other favorites. More obscure Heart songs like 'Wait For an Answer' and 'Nada One' would be fun, plus fan favorites like 'Love Mistake' and 'Language of Love.' Endless possibilities.
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All my pictures are a kind of revision of my original idea. This is surely very different from the way in which Japanese or Chinese artists work: their themes are pre-ordained, whereas mine are invented at will.
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No work of art ever puts forward views. Views belong to people who are not artists.
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I'm the female Jay-Z. I never compared myself to other women artists. I compared myself with the best, and the best is Jay-Z.
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While their methods differ radically, artists and physicists share the desire to investigate the ways the interlocking pieces of reality fit together. This is the common ground upon which they meet.
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Through artists mankind becomes an individual, in that they unite the past and the future in the present. They are the higher organ of the soul, where the life spirits of entire external mankind meet and in which inner mankind first acts.
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I find beauty in the grotesque, like most artists.
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The person who's writing and performing those songs wants to get to know the fans even more. Find out how close that song is to their real life, what it means to them. The earlier in the process that we can start connecting those artists with fans, the better.
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The ancient triumph of Christianity proved to be the single greatest cultural transformation our world has ever seen. Without it the entire history of Late Antiquity would not have happened as it did. We would never have had the Middle Ages, the Reformation, the Renaissance, or modernity as we know it. There could never have been a Matthew Arnold. Or any of the Victorian poets. Or any of the other authors of our canon: no Milton, no Shakespeare, no Chaucer. We would have had none of our revered artists: Michelangelo, Leonardo da Vinci, or Rembrandt. And none of our brilliant composers: Mozart, Handel, or Bach. To be sure, we would have had other Miltons, Michelangelos, and Mozarts in their places, and it is impossible to know whether these would have been better or worse. But they would have been incalculably different.
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Artists are definitely, like, under a sort of microscope of scrutiny more than others.
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It's crazy how a whole lot of African artists work. Big respect to everyone that does it, but I have not heard anything that really cuts across. We're trying to do that.
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I try and absorb all the things that I respect in the artist's I've worked with.When we work with someone on, Live From Daryl's House, we really get inside their music which gives me an even broader idea of the writing process. I think I'm always learning from everything in life. There are really songs everywhere.
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I've done songs, which have gone out to other artists or whatever, with me singing on, but they're just demos. There is a song called CANDY IN YOUR HANDS, which I think nearly became a Def Leppard B-side. It's got me playing on it and singing, cause no one else performed on the track. So, not in a Def Leppard sense, but we always release "rare" songs, so there's always a chance.
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One thing that's really pulled me in to helping artists create their album is that I get to help them tell a story. It's about the way you frame that story and finding the best way to tell that story.
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To become romantic artists, we must pierce the armor that hides our hearts, and the piercing is not comfortable.
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We're committed to giving the independent artists we support the best stage to share their mind-blowing work with audiences.
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Chosen are those artists who penetrate to the region of that secret place where primeval power nurtures all evolution. There, where the powerhouse of all time and space call it brain or heart of creation activates every function, who is the artist who would not dwell there?
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We have a few artists that seem to sell enough to pay back what it costs to make a record.
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Scholars and artists thrown together are often annoyed at the puzzle of where they differ. Both work from knowledge; but I suspectthey differ most importantly in the way their knowledge is come by. Scholars get theirs with conscientious thoroughness along projected lines of logic; poets theirs cavalierly and as it happens in and out of books. They stick to nothing deliberately, but let what will stick to them like burrs where they walk in the fields.
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I have traveled with Jessy Dixon for the past several years and never have I been with an artists with more heart. He is the real thing.
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The greatest artists like Dylan, Picasso and Newton risked failure. And if we want to be great, we've got to risk it, too.
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Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.
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It occurs to me that artists go forward by going backward, something which I have nothing against intrinsically when it is a reproduced retreat - as is the case with the better artists.
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The past is of no importance. The present is of no importance. It is with the future that we have to deal. For the past is what man should not have been. The present is what man ought not to be. The future is what artists are.
