English Quotes
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Why am I a liberal? Because I don't forget that I'm an immigrant and that I'm a Hispanic and that I have a Latin accent when I speak English, and I want to defend those who get racially profiled by people who would discriminate against us?
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In the long revolt against inherited forms that has by now become the narrative of 20th-century poetry in English, no poet was more flamboyant or more recognizable in his iconoclasm than Cummings.
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Damien Hirst is the Elvis of the English art world, its ayatollah, deliverer, and big-thinking entrepreneurial potty-mouthed prophet and front man. Hirst synthesizes punk, Pop Art, Jeff Koons, Marcel Duchamp, Francis Bacon, and Catholicism.
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The English have no imagination: and yet they do show imagination in two things - two only. In the evening-clothes worn by old ladies, and in their cafés.
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I have never felt inhibited in trying to write as well as the greatest English poets.
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I studied English at Princeton in the early eighties in what I consider a period of high obscurity. Professors and students ran around discussing the work of critics and philosophers that I doubt they'd read or understood.
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For over ten years I always had, but I don't speak English.
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Everything depends on whether we have for opponents those French tricksters or those daring rascals, the English. I prefer the English. Frequently their daring can only be described as stupidity. In their eyes it may be pluck and daring.
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I know my own heart to be entirely English.
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The three most dreaded words in the English language are 'negative cash flow'.
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The security and happiness of all minority groups in South Africa depend on the Afrikaner. Whether they are English- or German- or Portuguese- or Italian-speaking, or even Jewish-speaking, makes no difference.
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It's always a unique challenge when you're working with somebody where English is their second language.
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One of the best things Gwyneth Paltrow has done in years was her mesmerized, good-sport cameo in a 'Pootie' sketch, when she was melted over him like butter on an English muffin.
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In England, 'The Muppet Show' is very much seen as an English thing. So for us in the U.K., it is one of the treasures of the history of children's TV and of comedy, basically.
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Visit any bookshop in Europe, and the shelves are filled with English novels and non-fiction books in translation - while British bookshops stock mainly English and American works.
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London in the '70s was a pretty catastrophic dump, I can tell you. We had every kind of industrial trouble; we had severe energy problems; we were under constant terrorist attack from Irish terrorist groups who started a bombing campaign in English cities; politics were fantastically polarized between left and right.
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China's cinema has been rising for some time; it has more exposure, so my chances of becoming internationally known are better. But the first thing I have to do is learn English. If I can grasp the language, then perhaps I can think about the U.S.
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I studied religions and all kinds of other things in college. I took a Shakespearean villain course for English literature. It was really intense. I think that sort of rounds a person. In this business, it's really important for us to be interesting... and have interests.
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My old English buddy, John Rackham, wrote and told me what made science fiction different from all other kinds of literature - science fiction is written according to the science fiction method.
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I still don't know what I'm going to be. I love acting. I would love to be an English teacher. I would love to be a housewife and have a chateau in the South of France, I would love to be a singer that travels to cafes around different towns.
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Thrilled to be honoured by the ISM and to be joining such an eminent list of members who have received the Distinguished Musician Award.
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To be honest I live among the English and have always found them to be very honest in their business dealings. They are noble, hard-working and anxious to do the right thing. But joy eludes them, they lack the joy that the Irish have.
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I grew up listening to English music.
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The ethos of 50 years ago was that there was one kind of English that was right and everything else was wrong; one kind of access that was right and everything else was inferior. Then nobody touched language for two generations. When it gradually came back in, we didn't want to go back to what we did in the 1950s. There's a new kind of ethos now.
