Musical Quotes
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It is music that welds spiritual and sensual, that can convey ecstasy free of guilt, faith without dogma, love as homage, and a person at home with nature and the infinite.
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My musical ambitions are not that great. I make music I like, and thankfully - for my ability to make an (fairly...) honest living - at least some others like the music too.
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I try to keep my eyes and ears open all the time for the bones of my next song: things people say, melodies I hear in my head, and little musical parts I may stumble across. I write them down or record them on my phone. Whatever I need to do to keep the idea for later when I have the time to sit down with it. So writing for me is a 24/7 pursuit.
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We forget to thank the scientists that began these musical inventions and systems. The guy that invented the phonograph and gramophone - Thomas Edison!
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Hopefully each film can be given a musical voice of its own, which is not to say that the instrumentation is always unique, but that the relationship between the sound and the image is unique.
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Even if you can't sing well, sing. Sing to yourself. Sing in the privacy of your home. But sing.
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Smacked her so hard I knocked her clothes backwards like Kris Kross.
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I think different musical collaborators bring out different qualities in my songs and I like that.
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Musical expression is never primarily national, but is personal and individual rather. It is so deep, so profound, that it goes beyond and below nationality and gives voice to the most private feeling. In music there is never exact heredity. Each man is an individual.
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At one point, I was hell-bent on being a Disney animator, and sort of got over that in college and wanted to do my own stuff. You know, towards the end of college I had actually planned to go to the Boston Conservatory of Music for musical theater.
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The only thing that really inspired me for singing was the movie and musical 'Phantom of the Opera.' I went to see it in the theaters, and I loved it so much. And when I got home, I started singing the songs around the house, and my mom thought I was really good, so she asked me if I wanted to do a talent competition. And I said, 'Yes, definitely.'
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When I was a little younger, I really did love musical theatre in the same hopeless dorky way that she does. I was obsessed with Jesus Christ Superstar and I used to reenact it in my room when no one was home.
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I just wanted to have a look at my whole musical career, get right back to when I started and why I started doing it in the first place.
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A musical is never something I thought I'd do.
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I don't have to perform to stay in the public eye anymore. I really don't. I am who I am and what I do on musical stage these days really makes no difference at all. I already have all the momentum there. I am only doing it because I love to do it.
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Nobody else in the world has a form like the Native American musical, and Americans should be very proud.
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Chicago was a big influence on all three of us growing up. I admire their musical integrity. When the opportunity came up to produce them, I couldn't let it go by.
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It should be pointed out that none of Cardew's works ever gave total freedom to the performer. The instructions were a guide which focused each individual's creative instinct on a problem to be solved - how to interpret a particular system of notation using one's own musical background and attitudes.
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If the psychic energies of the average mass of people watching a football game or a musical comedy could be diverted into the rational channels of a freedom movement, they would be invincible.
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There is an assumption that if you're young and pretty, you will get all these opportunities that are way beyond your musical foundation.
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Fine declamation does not consist in flowery periods, delicate allusions of musical cadences, but in a plain, open, loose style, where the periods are long and obvious, where the same thought is often exhibited in several points of view.
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For a long time religion made me feel guilty for being involved in music. Growing up, the religion I grew up in, the Church of Christ, encouraged a capella, but didn't allow musical instruments, so even though my parents allowed me to play trumpet in the band, and I was pretty good at it, it had this baggage.
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Michael Jackson changed the format and history of music. His videos were films. He was the first who floated on the stage and changed the concept of a musical performance. He created something that's still the basis of a lot of what's done today.
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I wish and pray there are a lot of young people with technology and way of thinking that can create a brand new kind of musical theatre.