Audition Quotes
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If you're going to play a cowboy, show up with the horse at the audition.
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If you do a scene and you really like a character in it or a premise in it to write it down and to work on it so that you can have five or six characters that you can pull out in an audition.
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It doesn't matter how smart you are; to audition for 'Jeopardy,' you just have to luck out and know what they're asking you that day.
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I went to L.A. and got an acting coach for one day. Then I went in to audition and I smashed it. You have to take risks, and one thing I know about people: your presence is everything.
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There are challenges in life, and it was a great challenge to have (became a member of Judas Preist). The situation I was getting into, I knew what it stood for to me and to millions of people around the world. You get an opportunity like that, a chance to audition, you've got to do it. It worked out.
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Athletes who take to the classroom naturally or are encouraged to focus on grades should be able to do well in the classroom. I believe the reason you go to college is to get your degree. It's not a minor league or an audition for the pros.
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My first audition was the worst I have ever done, ever.
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I'd worked for Aaron Spelling before Embraced and I always felt like we had a nice connection. I pretty much walked in and looked at him like, "This is mine!" And by the time I was done with the audition, he was already speaking to me as if I had the role.
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I don't strive for balance. I just try to get through my to-do list, with my kids' homework being at the top of it, and then try to prepare for the next audition or whatever scene I'm shooting next. Balance.
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I went on an audition. I walked in the room, and it was Leslie Mann with Judd Apatow. It was intimidating.
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It kind of pays off to try your best at every audition; you never know what can happen. You can get a hundred nos, but if you just get one yes, it can change your life.
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Luck is not what gets you the acting gigs, your talent does, but luck gets you the opportunity to audition for the acting gig. Once you get in that casting room your luck has run out and all that you're left with is your talent to rely on.
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When I first got the audition for Shado, I went online and subscribed to DC Comics and read a bunch on Shado and the Yakuza, just to get to know her character better.
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I got the regular call, that they were doing a Broadway musical of Hairspray, and would I come and audition. I was familiar with the movie, because at the time it came out my lover wrote for Premiere magazine, and we had to see everything.
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Before you go into what is essentially a competition, you have to have that confidence. You have to ask yourself, "Are they looking for a guy my height? My age? I've got a shot." And if there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.
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I actually got dared to audition for the dance team. All my track-and-field buddies dared me to audition, and I was one of the few guys who did it.
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I went to ballet school for nine years, and there was an agent for the whole school who happened to be there visiting one of the performances. She suggested an audition.
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I didn't want to do 'Casino Royale' when they told me to audition. I said no. Then they sent me the script, and I thought it was actually very interesting - and I had no other work at the time.
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I still have to hustle to get jobs, audition and put myself out there.
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I'd say you have to be really committed to the field, show up for every audition and to be aware that very few make it in this field.
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It was seriously just a name. They didn’t tell you what to do. They didn’t tell you how they wanted the character to be - nothing. You went in to audition for this character name and that was it. When I started, before I came onto the set, I went to Gene Roddenberry and said: hey, what do you want from this guy? Who is he? And being as smart as he is, he said: don’t listen to what you’ve heard or read or seen in the past, nothing. Just make the character your own. And that’s what I did.
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You know, an audition usually is you come in and read the scene and if you're lucky, you get to read it twice.
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Every audition is different, but I get incredibly nervous and insecure and worked up for however long I have to prep - that's when I get to spin. But you're not allowed to spin once you enter the room. Doubt really can't enter the room when you're auditioning - unless it's part of the character.
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I'd get sent home from the first audition of So You Think You Can Dance. My dancing is sort of controlled spasms. I fully accept it might appear ridiculous. But it's passionate!
