City Quotes
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'Spin City' was a really wonderful time for me. I made friends for life on that show. I made friends with Richard Kind, Michael Boatman, Barry Bostwick, Sandy Chaplin. We're all close. It was a really wonderful time.
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I come from West London. I support a football team there called Queens Park Rangers, whom I'd like to give a shout-out to. I'm a die-hard Rangers fan. I think that I would always hopefully have a strong connection to and live in London, because it's a brilliant city.
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All my best friends live downtown in New York City. I was made in Soho.
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But instead of that stuff you get relationships with people and neighbors that you would never get in a city. People in small towns are a lot more open.
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Maps had never really been his thing, even during his days under Scorpio in Chasm City. There, it had hardly mattered. Blood’s motto had always been that if you needed a map to find your way around a neighbourhood, you were already in trouble.
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If you're playing for the Kansas City Royals about all you can do is beat your head against the wall.
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Toronto is obviously Drake city.
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Nightclub City tells the behind-the-scenes story of Manhattan's glamorous nightlife at its peak. Packed with colorful characters, terrific original research, and an unusually accessible writing style, Nightclub City is a gritty social history of America's most glitzy fantasies.
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Venice is the perfect place for a phase of art to die. No other city on earth embraces entropy quite like this magical floating mall.
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Someone will ask later, sometimes searching for a name, his own or someone's else's why I neglected his sadness or his love... But I didn't have enough time or ink for everyone. Or maybe it was the strain of the city, of time the cold heart of the clocks.
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New York City is a notoriously hard market to perform country music in.
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I have always wanted to make a film about my parents' generation, which tried every way to escape from the deadly shadow of war and finally settled down in Hong Kong in the '50s to build a home from nothing. Arguably, they are the first generation of Hong Kong people to turn this remote island into a modern city.
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I wore an Urban Outfitters dress on my wedding day. It was one I had in the back of my wardrobe. It was white. We went to City Hall here in New York. I wore it with blue velvet boots my husband bought for me. I loved it. It was my favorite thing. It was chilled and spontaneous.
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In New York City, everyone is an exile, none more so than the Americans.
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The city is all right. To live in one Is to be civilized, stay up and read Or sing and dance all night and see sunrise By waiting up instead of getting up.
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I'm not a city kind of guy. I'm happiest when I'm tromping through the woods. That's why I don't live in Los Angeles. Being physically away from Hollywood probably loses me a few jobs, but the best ones seek me out.
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When I was old enough to take myself into the city, in the 1970s, I really grew up on all the great Sondheim-Hal Prince shows.
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Westerns are simple stories where there's good and there's evil and where people had a sense of space and freedom. Growing up in the city, as a kid, you've never really seen that before. It's a beautiful dream to go from concrete to big skies, dirt and horses.
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The Aztecs believe they started up in what's now New Mexico, and wandered for 10,000 years before they got down into where they are now, in Mexico City. That's a weird legend.
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Americans should understand that 50%, or something like, of the kids in inner-city schools, often poor and often minority, don't graduate. And the ones that do don't necessarily have the skills to get a job. That is the biggest disgrace in this country.
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In the moment when you're doing a show, you're thinking of that moment, but you don't think of, 'Here's down the line how people will be relating to the characters.' There's something very universal about 'Sex and the City' that people are still tapping into, where every generation seems to be discovering for itself.
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The first painting that I realised I liked was 'The Garden of Earthly Delights' by Hieronymus Bosch, when I was six years old, at the Prado in Madrid. I still find myself returning there every time I'm in the city.
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To look at the cross-section of any plan of a big city is to look at something like the section of a fibrous tumor.
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I lived in a small village outside the city and grew up in a large family, so my world was very much centred around that. I used to sing in the local church, and I would also occasionally sing in the local pubs for which I used to get a few bob. That, for me, was the start of my interest in music, which has obviously expanded since then.
