Kind Quotes
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Next, take a look at the quality of the people who surround you. Do these people back you emotionally, or not? If they don't back you, are they at least passive? If not, get rid of them. Sometimes it is hard to drop off your mates at the great bus stop of life. But remember, your energy will only rise in direct relationship to the number of things you are able to get rid of - not to the things you acquire. By getting rid of things, attitudes, encumbrances, and blocks of one kind or another, things fly.
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You have to pay the price to be in the right place at the right time often enough that people tend to see you as the regular kind.
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You should never lose heart. God is merciful and kind- he has endowed you with the best gift- smile, which can make millions happy.
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You can only really understand good if you have bad, so the idea of heaven or anything that happens for eternity, even if it's nice, I can't imagine it being nice forever. Even the idea of forever is kind of ridiculous, which is unfortunate because it's kind of a nice thing to say, you know.
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The British and American literary worlds operate in an odd kind of symbiosis: our critics think our contemporary novelists are not the stuff of greatness whereas certain contemporary Americans indubitably are. Their critics often advance the exact opposite: British fiction is cool, American naff.
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I think we're very complicated and we're capable of all kinds of things, and movies don't reflect that.
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Anything with Soros, I lay low. People kind of just roll their eyes when you bring him up.
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I think a lot of parents hand people over a blueprint and say, This is how youre supposed to do it. And my parents, I think, kind of drew a picture and said, Heres the good stuff in life. How do you get there?
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The kinds of things I want don't cost money.
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Kind words toward those you daily meet, Kind words and actions right, Will make this life of ours most sweet, Turn darkness into night.
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I'm gonna be making records anyway, even if I had to sell 'em out of the trunk of my car. I'm that kind of musician and singer.
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For me, the biggest thing is someone who's kind. I'm not into the bad-boy thing.
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We've learned from experience that the truth will out. Other experimenters will repeat your experiment and find out whether you were wrong or right. Nature's phenomena will agree or they'll disagree with your theory. And, although you may gain some temporary fame and excitement, you will not gain a good reputation as a scientist if you haven't tried to be very careful in this kind of work. And it's this type of integrity, this kind of care not to fool yourself, that is missing to a large extent in much of the research in Cargo Cult Science.
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We need to put into practice the idea of embracing other cultures. We need to be shaping the kind of world we want to live in instead of waiting for someone else or some other entities to do it for us.
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In our society, most of us wear protective masks of various kinds and for various reasons. Very often the end result is that the masks grow to us, displacing our original characters with our assumed characters.
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Pro Tools is an incredible resource. I think it's enabled me to do things that I wouldn't have been able to do without this kind of computer editing.
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I say God is kind. So many people want to do what I do [comedy] for a living, and so he didn't have to choose me. So I don't take all the credit, but I do know that I love what I do, and I see it as a gift.
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I was a professional fighter for a while, and I trained in martial arts for seven years, so I think that kind of helped form a base for me as far as dancing.
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What's popularly known as the evolution of consciousness, in other words that the expansion of cognitive repertoire that occurs in human beings, which has always been a great puzzle to evolutionary theory, I believe, occurred in the presence of a kind of catalyst for the human imagination.
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I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
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I go to practice each and every day, but my intensity is not the same. If I get tired, I'll go sit down. If I want some water, I'll go drink it. When I'm in training camp, I don't. I've got to push through being tired. I've got to push through being uncomfortable. That's really it. It's largely a mentality. You kind of flip that switch and turn your intensity up. Your heart rate goes up. Your reps go up. And you start to get in the frame of mind.
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Editing is very satisfying process. You spend hours working on something and then you get to watch it. It's immediately satisfying where everything else is just kind of waiting and waiting and waiting.
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I work on stretched linen canvas, sized so that the surface already has a sense of tension when I begin. It is a very rich and reactive surface. I begin by drawing on the canvas with a kind of loose line, very simply and freely. I paint very thinly, which allows me to change the drawing if I want to.
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It had also been my belief since I started writing fiction that science fiction is never really about the future. When science fiction is old, you can only read it as being pretty much about the moment in which it was written. But it seemed to me that the toolkit that science fiction had given me when I started working had become the toolkit of a kind of literary naturalism that could be applied to an inherently incredible present.
