Sound Quotes
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Most movies shot in Italian don't even bother to record the sound. In fact, sometimes when Fellini works, he doesn't even know what the dialogue is going to be, and he simply has his characters count from 1 to 10, knowing he will loop in their dialogue later.
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Music gives the soul this inner self-expression, a voice. It gives the soul a sound, the sound of the Muse.
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Normally I can't watch playback. I can't watch anything because I know that it's so rough and there's going to be effects that are added, there's going to be sound effects, there's going to be so much stuff that happens between this point and that finished product that it just ruins the illusion for me.
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It's hard to argue against cynics - they always sound smarter than optimists because they have so much evidence on their side.
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We grown-up people think that we appreciate music, but if we realized the sense that an infant has brought with it of appreciating sound and rhythm, we would never boast of knowing music. The infant is music itself.
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It sounds cliche, but success is your friends, your family, what you do, and if you're happy when you wake up.
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It's going to sound like brown-nosing, but I love 'Parks & Rec.'
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There is no relation to sound for deaf people. It is a totally different mental process.
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I never get the tall, blonde, glamorous roles because I'm not tall, blonde and glamorous. I'm more the wee, disturbing characters because of the way I look or sound.
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There are persons who can speak no more, whose very names have vanished. Yet a name excised from the verge where it once lived still casts its sound on all who sleep there and enters their throats.
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And the odd think in Dad's voice was the sound truth makes being said.
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Every artist has a very particular sound and style.
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The power of sound to put an audience in a certain psychological state is vastly undervalued. And the more you know about music and harmony, the more you can do with that.
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I liked the sound of the word 'snail' every time I said it; the word was as small and simple as the creature itself.
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I just can't stand the sound of my voice sometimes, or how my face looks. There are always a few times at every premiere when I just have to cover my eyes when I'm up there.
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There are times when I'm under the weather and the corporate machine tries to put me in the recording booth anyway. It's always up to me to say, 'Guys, listen to me, listen to what I sound like. I'm not myself.'
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What producers did was mostly recording in the studio, so it never changed our sound just that much.
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I have been an XL fan of Devo since I was in high school in the 1970s. Their records only sound better with time.
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At the beginning of each project, I like to create a palette of sound for that particular project.
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If it sounds good to me and I hate my voice, so if I'm willing to listen to my voice over and over again, it's a hit. Guaranteed it'll be a hit.
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One changes, as a writer, fairly quickly; what you wrote six months or a year ago might not sound right anymore.
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If you're dealing with a musical in which you're trying to tell a story, it's got to sound like speech. At the same time it's got to be a song.
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I was able to interpret the difference between the sharp, quick sound and the slow, deep sound of percussion and manipulate it, get a third sound out of things, if the beats were rapid enough.
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Where thou art gone, adieus and farewells are a sound unknown.
