Live Quotes
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I'm not as successful as Pixar or Dreamworks, and that is disappointing to me, because I think my films are as valid as a Pixar film. I think there's an audience for my films. I know there's a market for someone like Quentin Tarantino, who basically does adult cartoons in live action.
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Even someone who works with me, like this girl who works with me, her name is Sue. She lives with me and holds the fort; she takes care of all these little things. She takes care of the money situation, and I would not be able to live without someone like that.
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I live very normally, I go out with my friends, we go to the movies, I queue, we go to restaurants
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When I write, I don't allow the fear of consequences to interfere with the writing process. I have in the past paid for my commitment to the truth and the way I live my life. I am prepared to pay more if I have to.
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Sometimes you really rely on the audience to have a good time playing live, and sometimes you could have zero people or a thousand, and you'd feel exactly the same.
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Skateboarding is a part of Hip-Hop culture. I think it's the fifth element of Hip-Hop - emceeing, deejaying, b-boying, graffiti, and skateboarding. Skateboarders live and die on the streets. It's expression - it's everything that Hip-Hop is.
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As animation directors, you're the first one on the film; you're the last one off, and you get to learn from and touch every department throughout the whole journey. I don't know any other job in the world that's like that. I don't think live-action is like that. It's a very different sort of experience.
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I always felt like Tahliah's a very grown-up name to have. It's a pretty name when you're young, and then I think when I became a young lady, it felt kind of like a lot to grow into for some reason. I don't know. It sounds kind of regal. I never really liked it. I always felt like I couldn't live up to it.
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One may no more live in the world without picking up the moral prejudices of the world than one will be able to go to hell without perspiring.
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I know I have great inner strength; I always have. I can blank things out, cut people out, and I know that I can go and live in a cave on my own if necessary.
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I live in an apartment building built in 1925, and it hasn't been heavily renovated, so I feel very much connected to that time and what went on in that place.
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I live with a bunch of yuppies and models.
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None of us have pure thoughts; we all live in glass houses.
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I was never one of those surly teenagers who doesn't smile. My lovely godfather said it was always lovely to see me because I was the only teenager who smiled. And I was so in awe of him, I thought it was one of the best things anyone had ever said to me. So it made me want to live up to what he said.
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The main part of intellectual education is not the acquisition of facts, but learning how to make facts live.
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Cowards fear to die; but courage stout,Rather than live in snuff, will be put out.
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I feel like I've been able to live a dream life, but my view of things is absolutely inside behavior about how I behave and how I count on other people behaving.
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I spend half my time in Montana, the other half in New York City. In unique ways, both places help me unwind, and both are the most satisfying places to live I can imagine.
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I feel that I'll be buried in Ireland and don't think I'll ever live in the U.S. I'm not comfortable with many aspects of U.S. society - especially the justice system.
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Born Berlin 1931, Germany, father a British diplomat, mother an American artist. Educated at various schools all over the world. 1958 Settled down to live in London. 1966 Became interested in photography through photographing my young children. No formal training.
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What it is now is basically, I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac. And how it works is, say - I have a program called 'Ableton Live.' And, you know, you'll open it up, and it's just blank. There's nothing there. And then you start.
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The studio work that I do allows me to connect with people around the world. You can't perform live for everyone, so having the ability to share my creative vision with others is very important to me as well.
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I used to sneak up to the 8th floor and watch Eddie Murphy and Joe Piscopo rehearsing 'Saturday Night Live' and could only wonder if I would ever have the chance to be funny. It took me five years to go up the two stories, but it is such a sense of fulfillment to be able to show what I can do on national television.
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Much of the impotence of American churches is tied to a profound ignorance and apathy about justification. Our people live in a fog of guilt. Or just as bad, they think being a better person is all God requires.
