Live Quotes
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In the end, we may be hurting the very people we should be concerned about - the inner-city poor, those who already have to live with many risks in their daily lives, those who do not have clout here in Washington.
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The hardest thing about being James Brown is I have to live. I don't have no down time.
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You don't have to live in a garage to write great poetry.
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No one should come to New York to live unless he is willing to be lucky.
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I try not to have too many opinions; I just marvel at the world we live in.
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I think stupid people are surprised that I'm Australian. It's a small-minded; we live in a global community, but I suppose some people still are small-minded.
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I think you live a fuller life with someone else, you know, you're firing on all cylinders. It can be a nightmare at times, we all know that, but nevertheless in the end I think to have someone else's input on anything - a book, a meal, your children, life, a walk - is fantastic.
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Growing up in Georgia, I used to think people up north or out west were so different. They're really not. They're just regular people who live in small towns. They grow up and try to raise families and have a job and go to church and play softball. It's that way everywhere.
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I have to remind myself constantly that people actually want to hear the music I've made; that's hard for me to digest. I think a live audience is the only tangible evidence you can have that your work is making an impact. It's really humbling.
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For my own part, I have been wont to converse with poverty; and however disagreeable a companion she may be thought to be by the affluent and luxurious, who were never acquainted with her, I can live happily with her the remainder of my life if I can thereby contribute to the redemption of my country.
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If I had to live my life over, I'd live over a saloon.
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The fact that women are constantly supposed to be beautiful, gorgeous, and perfect all the time is something they have always had to live with. But now it's happening to men, too. There seems to be this imperative that you have to be hot or ripped or fit or healthy or whatever you want to call it.
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I live in a small world of gouache and brush and pen and ink. I'd like to explore the world of multiples - etching and prints.
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You can't live for a moment that may not happen. You need to live in the moment.
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There have been, like, three auditions in my life where I feel like I'm in a 'Saturday Night Live' skit.
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I always walk up the escalator on the Tube, and I live in a house with a lot of stairs, and that's good exercise, but you need more than that.
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A good businessman never makes a contract unless he's sure he can carry it through, yet every fool on earth is perfectly willing to sign a marriage contract without considering whether he can live up to it or not.
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I've never been comfortable working live, and I'm still not. I was always more music-oriented and less star-oriented, which is why I've never been comfortable on big stages in big halls.
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Top creative and innovative talent wants to live in a vibrant, transit-friendly, global city that offers access to not only great jobs but also great food, entertainment and culture.
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I've not been in a live-in relationship. But I've been exposed to various kinds of equations that can exist between people. When I came from Bangalore, it was black and white. Over the years, I've realised that there's more to what we see on a day-to-day basis. There are all kinds of relationships, all kinds of equations.
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But at the same time you can't assume that making a difference 20 years ago is going to allow you to sort of live on the laurels of those victories for the rest of your life.
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Money, for me, is just to create bigger and better things. A lot of guys in the deejaying world flaunt it, but I don't see any use in that. I don't need anything. I live in hotels. Most of my clothes I get for free. I like to invest in ideas. In people.
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As a child, I loved story books and wanted to be in them so desperately and live the stories.
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My mother persevered through much adversity because she possessed faith in God, self-respect, and an awareness of history; most especially, she was astute in Africa's significant contribution to world history. Sister Betty refused to live her life as a victim.
