Filmmaker Quotes
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I became a documentary filmmaker because I wanted to make socially conscious films. I never studied filmmaking - everything I have learned has been on the field.
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Working with David Ayer...the guy is a great filmmaker.
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Right now is a very interesting time because of the digital cameras, and the fact that you can edit anywhere. It's a great time to be a filmmaker, is a great time to be starting off.
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To be honest, I am not especially pleased to be slotted primarily as a 'woman filmmaker', but it's okay with me. Plus, I see the relevance and the strength of having a distinctive subject and drift for promotional purposes.
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I only work every five years. It's exhausting. I've got a family, and I want to be a really good parent, as well as a hopefully good filmmaker.
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Because I'm a filmmaker at heart, I know a villain can't be too humanized and the audience can't empathize with him too much.
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I'm a filmmaker, not a scientist.
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I want my audience to say, "Wow, this is a film I'm benefiting from. I'm benefiting from what this filmmaker is trying to say." I'd always rather learn and be entertained than be entertained and feel myself getting dumber by the moment.
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I'm a filmmaker, so I always think: When is the breaking point? Sometimes you've got to go beyond the breaking point, and then you catch it. When is long enough? It's one of those things you have to look at, walk away, and go home and find out what it is.
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I am very happy to be part of European and world cinema as a British filmmaker.
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I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again.
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Nollywood is a genre, and not the entire Nigerian film industry. However none of the 'New wave' of directors in Nigeria would know what was possible without the Nollywood model, so I'm grateful to them for showing us that our stories are of interest to people other than Nigerians. I would describe myself as a filmmaker, period.
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I think one of the luxuries of being a filmmaker is that you can ask questions but not necessarily have to answer them. Certainly, if I was a politician I'd need to come up with some answers.
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I don't call myself an 'independent filmmaker'. Either a concept works within a studio system or it doesn't. If it does then you should try to get a studio budget so that you can use all of the tools they have to get what you want. If it doesn't then you look elsewhere, or make it yourself.
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Long, long before I became a filmmaker I was talking to killers. Filmmaking was an after thought.
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I would describe myself as a filmmaker, period.
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There's nothing quite like the idea of failing spectacularly to excite a film maker
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I think maybe making films is something innate you can't really teach to begin with.
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I don't know of a more noble, a bigger deal as a filmmaker than to be a YouTube filmmaker.
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An actor needs to be not remotely anywhere close to in control, and a filmmaker has to be totally in control.
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The filmmakers have a story they want to tell, and they go get the material they need for it. The film either exceeds or fails to meet up to their expectations or it's different.
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In my little imperfect way, what I'm trying to do is understand the world. As a filmmaker, you realize as you get older that each film is part of a dialogue you're having with yourself. That started when I was working in documentaries. And in a way, I've never deviated from it.
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But I always see myself as the filmmaker. I wonder if everybody else sees me more as an actor.
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I am surely a feminist filmmaker, but not because I set out to become one, or am trying to make any kind of statement. Rather, it's inherent in the act of expressing myself, as a woman who is deeply alienated from mainstream cinematic structures of seeing. I express myself and am instantly feminist.
