Filmmaker Quotes
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I want people to think of me as a 'Mindset' guy, a journalist, a commentator, a social media personality, a filmmaker, an author, but I got to - I have to pivot so far away from anything pro-Trump, I just got to keep going that way.
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I learned that you have to say that you're a filmmaker. You're not a screenwriter; you're not a director for hire. You've got to take charge. You're a filmmaker, and you're going to make a film.
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The most important thing as a filmmaker, the hardest journey you'll have, is to find your point of view.
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I didn't have any set idea of what kind of filmmaker I wanted to be. I knew I wanted to tell stories that meant something to me, but I never said I was going to be the weird, avant-garde guy.
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I'm not in the business of saying just one thing about just one place. If you only see Palestine in my films, then I've failed because then I'm just a provincial filmmaker.
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To be honest, I am not especially pleased to be slotted primarily as a 'woman filmmaker', but it's okay with me. Plus, I see the relevance and the strength of having a distinctive subject and drift for promotional purposes.
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Movies are not novels, and that's why, when filmmakers try to adapt novels, particularly long or complex novels, the result is almost always failure. It can't be done.
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It wouldn't have existed without France, and it's a French initiative. As a filmmaker, I owe everything to France - I got accepted at a French film school that takes six directors a year. Once you're in, you make films under the eye of people in the industry. You grow up in front of their eyes.
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I think it is kind of depressing how few female filmmakers there are. I think it is in general depressing how few women there are in ... important positions in society
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I like the days when all the filmmakers had was a film roll, a camera and a gangster. The Mack Sennett comedies were all like that. They'd create little teams to go out and shoot films.
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If you have to become a filmmaker, find a story that takes you away, and tell that story. Don't think about whether it's going to sell, or whether it's going to make money, or whether it's going to appeal to distributors. Do something from the heart that really matters, and then you'll do something good.
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Working with David Ayer...the guy is a great filmmaker.
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I became a documentary filmmaker because I wanted to make socially conscious films. I never studied filmmaking - everything I have learned has been on the field.
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I believe in life. I know that life comes in at your heart and it doesn't matter if you're an actor, a filmmaker or a gentleman on the street, it comes at you. What Scientology gives me is the tools to deal with that, to better enjoy my life and to be able to contribute more.
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I'm a filmmaker, not a scientist.
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I've never seen myself as a documentary filmmaker. I see myself as a filmmaker, period, and I am interested in drama as well as in documentary.
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My three Ps: passion, patience, perseverance. You have to do this if you've got to be a filmmaker.
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Right now is a very interesting time because of the digital cameras, and the fact that you can edit anywhere. It's a great time to be a filmmaker, is a great time to be starting off.
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Because I'm a filmmaker at heart, I know a villain can't be too humanized and the audience can't empathize with him too much.
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It doesn't matter if you're the smartest person in the room: If you're not someone who people want to be around, you won't get far. Likewise for helping those in line behind you. I take seriously my role as a mentor to young female filmmakers - I make sure my time is tithed.
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Any filmmaker who has translated some personal vision into a film that actually gets shot and distributed is wildly successful. Congratulations! Anything after that is gravy.
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I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.
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As a filmmaker you make your films with the audience you want to attract in mind.
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I'm taking the indie filmmaker's approach to building my career and that approach is developing a relationship with the fans.
