Museums Quotes
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I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums.
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My tastes formed quite early. All I ever wanted to do was go to costume museums.
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I had my first museum showing of my slide show in Rotterdam, in 1983. I love Rotterdam. I love harbour cities in general.
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Instead of stubbornly attempting to use surrealism for purposes of subversion, it is necessary to try to make of surrealism something as solid, complete and classic as the works of museums.
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I applied for funding to embark on an overseas field trip in Iceland, and spent six weeks there happily holed up in the national archives, museums and libraries, sifting through ministerial and parish records, censuses, maps, microfilm, logs, and local histories.
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There are self-made millionaires - their aspiration is first to make money. But the once that goal is achieved, they have to look for something and sometimes they become patrons of art or museums. And that is how the world should go.
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And if out of a million visitors there is even one to whom art means something, that is enough to justify museums.
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Numerous are the posthumous museums and memorials devoted exclusively to one artist, architect or author and designed to preserve or artificially reconstruct the namesake's original working or living conditions.
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As far as I can tell the only thing worth looking at in most museums of art is all the schoolgirls on daytrips with the art departments.
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I don't particularly like showing furniture on pedestals, but for whatever reasons you always have to in museums.
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Museums are not normally presenting the works on the walls as provocations to work. It's more like going to a Jacuzzi.
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Museums are for dead artists. I'd never show my work in the Tate. You'd never get me in that place.
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The official name of the project is 'Jewish Museum' but I have named it 'Between the Lines' because for me it is about two lines of thinking, organization and relationship. One is a straight line, but broken into many fragments, the other is a tortuous line, but continuing indefinitely.
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... what is important is not so much what people see in the gallery or the museum, but what people see after looking at these things, how they confront reality again. Really great art regenerates the perception of reality; the reality becomes richer, better or not, just different.
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A museum is a place where one should lose one's head.
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I've never seen a postcard of my work in a museum.
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Libraries and museums are the DNA of our culture.
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Fairy tales are with us day in and day out, not just in commercials, but references in the theater, movies, museums, schools, etc.
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Nobody would say the cowshed was heaven and nobody would say the inhuman torture of so many victims be called a revolution of the proletariat. ... A museum should be established to remind China of the follies and disasters that had fallen from 1966 to 1976. We cannot forget what had happened and history should not repeat itself.
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forgive me also that I didn't fight like Lord Byron for the happiness of captive peoples that I watched only risings of the moon and museums
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I want to create a space that moves people. It doesn't matter if it is a house, or a museum, or whatever. So, it is somebody sitting on that lawn, just going around and around and feeling really happy. That is something that I'm striving for.
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I do believe that food lobbies exert enormous, at times insidious, power over what we eat, that our water supplies are not being protected as much as they probably should be and that, in general, people are more interested in smart phones than museums.
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Some artists leave remarkable things which, a 100 years later, don't work at all. I have left my mark; my work is hung in museums, but maybe one day the Tate Gallery or the other museums will banish me to the cellar... you never know.
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The museums want large crowds coming to the shows - it's the same thing. It's hype. Absolutely. But there's nothing evil about it.
