Museums Quotes
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The property is ideal for those wishing to live at the center of all the great downtown museums, theater, shopping and dining. The Boulevard is across the street from Millennium Park and the Art Institute.
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The time was when a library was very like a museum and the librarian a mouser among dusty books. The time is when the library is a school and the librarian in the highest sense a teacher.
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We learn a lot, and each museum ends up having its own distinctive character and personality.
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When I was sixteen and knew nothing about art, I sat through almost six hours of Andy Warhol’s Empire. I did not understand it but thought: this is in a major museum, it must be important, what is going on here? I stayed until the museum closed. His Screen Test films are some of my favorite works made this century, but you need to give them back the time they took to be made.
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Each museum is different - the collection is different, the context is different, the relationship between the art and architecture is different.
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A day will come when a cannon will be exhibited in museums, just as instruments of torture are now, and the people will be astonished that such a thing could have been.
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There are moments when one feels a desperate gratitude for museums, whatever their own ambiguous histories. Their objects from lost cities lead us back to who we are.
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Zalasiewicz is convinced that even a moderately competent stratigrapher will, at the distance of a hundred million years or so, be able to tell that something extraordinary happened at the moment in time that counts for us as today. This is the case even though a hundred million years from now, all that we consider to be the great works of man—the sculptures and the libraries, the monuments and the museums, the cities and the factories—will be compressed into a layer of sediment not much thicker than a cigarette paper.
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The number of great museums and nonprofits versus the number of corporate headquarters is incredibly out of whack.
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Winning the competition for Frankfurt's Museum of Applied Art in '79 opened the door to a number of projects in Europe, especially as we were invited to join many design competitions.
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I hope and dream the time will come when serious artists will make marvelous pictures that will love and live in life-like manner and be far more interesting and wonderful than pictures you now see on canvas. I think if Michelangelo was alive today he would immediately see the wonders...The artist can make his scenes and characters live instead of stand still on canvas in art museums.
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I think we still do have a PR problem in the sense that these institutions portray themselves quite often as a museum without the contemporary wing. For a young cutting-edge person, why would you get into that sort of business, which is very clearly geared towards dead or almost dead people?
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250,000 species of plants and animals recorded and deposited in museums throughout the world did not support the gradual unfolding hoped for by Darwin.
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Here we have been hearing terrible rumours about torture of the Jews by the Nazis, but it's all surely untrue. I'm a little tired and sad about the situation up there. There is a war in the air. In the museums, the hard-won cultural achievements of the last 20 years are being destroyed, and yet the reason why founded the Brücke was to encourage truly German art, made in Germany. And now it is supposed to be un-German Degenerated Art / Entartete Kunst. Dear God. It does upset me.
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In Italian museums are sometimes found little painted screens that the priest used to hold in front of the face of condemned men to hide the scaffold from them.
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One day our grandchildren will go to museums to see what poverty was like.
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If you press-mold a pot or if you slab-build a pot, the work has got to take much, much, much longer than if you work on the wheel. And I to this day have the ideal that I want my work to be not too expensive, so that if people buy it and break it, it's not going to be the end of the world. I'm not interested in having things in museums, although some of our work has ended up there, but that's not what I'm striving for.
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What's that Regina Spektor song? Museums are like mausoleums. Having your work in a museum is something we as artists aspire to, but I don't think that's something we need to worry about while we're alive. Typically your work will end up in a museum after you're dead. And maybe that's the function of a museum. It's an archive of your work after you're dead. But while we're alive, I like to see it in places where it's connected to day-to-day life and making a difference.
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I grew up in a town where there were no galleries, no museums, no theaters - a very religious, ultraconservative community.
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A country that has few museums is both materially poor and spiritually poor...Museums, like theaters and libraries, are a means to freedom.
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Our main inspiration with Alix MacKenzie, I think, came from the Field Museum of Natural History, because they had pieces which were selected not for art content but for their relationship to the anthropological history of mankind.
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We have to recognize that the world is not something sculptured and finished, which we as perceivers walk through like patrons in a museum; the world is something we make through the act of perception.
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Yes, my works... are enshrined in museums, but I don't care if the pieces fall apart in 20 years.
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The art that I do is for the people. It is about engaging a new audience who wouldn't necessarily go to art galleries and museums and painting on the street is the best way to do that.
