Eric Drooker Quotes
What's that Regina Spektor song? Museums are like mausoleums. Having your work in a museum is something we as artists aspire to, but I don't think that's something we need to worry about while we're alive. Typically your work will end up in a museum after you're dead. And maybe that's the function of a museum. It's an archive of your work after you're dead. But while we're alive, I like to see it in places where it's connected to day-to-day life and making a difference.
Quotes to Explore
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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I wrote my first song when I was six or seven, a silly little song. But I used to write poems in high school - not songs.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
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The more far-out artists, the better.
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If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song.
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When I write, I don't have any expectation of what kind of song it will become or who it might reach.
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But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.
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In law also the emphasis makes the song.
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The song is the center; the song is the key. If you don't have a good song you don't have anything by my value.
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I didn't know how to play guitar until I was 21, but from the moment I was good enough on guitar to even put one song together, I kind of billed myself as an artist.
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The only thing that's a little tricky about it is sometimes people assume that if it's a new song, it's a reflection of what you're feeling or going through now.
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I think my main two songs are 'FWU' and 'Get Away.' 'FWU' made a cool point because it came out right after Chris Brown's 'Loyal' came out. I combated it with 'FWU,' a song that basically says, 'These women are loyal.'
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When I heard 'Rockabye,' I was just blown away. It had been a long time since I had heard a song that had a message like that in it - about being a single parent and caring for your child.
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I am more interested in how people interpret the phrase 'Elect The Dead' than what I may or may not have intended. I named the album after the track, which is a spiritual song about love, life and death and is the heaviest song on the album without having any heavy instruments.
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'iRun' is just a fun turn-up song, me and Yachty.
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Let's get with it, guys: You don't need to hear a Ministry song to get political. You should be political on your own. We're just a side project to society. So do I care what people think about me personally? No. I just do what I do.
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I like to have songs with me that have substance. That's missing from a lot of today's music. You might hear a song with a catchy beat, but what's it about? It's not empowering or helping anyone.
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I'm never going to stop making theatre, but I don't think I'll make it as much, because I don't need to. There are other things I want to do with my life. I want to sit by the sea in Yorkshire and eat Eccles cakes and spend time with my family.
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I don't consider myself an artist. I consider myself a very opinionated man who uses words as fighting tools.
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I never thought I'd have the opportunity to visit another culture.
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What's that Regina Spektor song? Museums are like mausoleums. Having your work in a museum is something we as artists aspire to, but I don't think that's something we need to worry about while we're alive. Typically your work will end up in a museum after you're dead. And maybe that's the function of a museum. It's an archive of your work after you're dead. But while we're alive, I like to see it in places where it's connected to day-to-day life and making a difference.
