Benjamin Hammond "Ben" Haggerty (Macklemore) Quotes
When I write, I don't have any expectation of what kind of song it will become or who it might reach.
Quotes to Explore
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I like being scared, so I've always liked fairy tales because they're kind of creepy.
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I close my eyes when I sing so I can feel the song better.
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I like wearing things that are a bit off but not in a ridiculous 'I'm wearing a huge hat' kind of way. More a socks with sandals way.
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When I was young, I admired clever people. Now that I am old, I admire kind people.
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Music rhythms are mathematical patterns. When you hear a song and your body starts moving with it, your body is doing math. The kids in their parents' garage practicing to be a band may not realize it, but they're also practicing math.
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A lie with a purpose is one of the worst kind, and the most profitable.
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I feel like my kind of music is a big pot of different spices. It's a soup with all kinds of ingredients in it.
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I'm not the kind of director who aims to send a message out.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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There was this song I was working on called 'Swing.' It was almost finished, but there was something missing, and I couldn't for the life of me figure it out. And then this little piece of information - this little tweet - came to the forefront of my mind.
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There's something about Marxism that brings out warts; the only kind of growth this economic system encourages.
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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If your writing collides with the conventional wisdom, there's going to be some kind of friction.
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I'm kind of a reluctant guru.
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It's really kind of hard to be a suburb of nothing. If you don't have a downtown, you really don't have anything. It's hard to build a community around parking lots and subdivisions.
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It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
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Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
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The proverbial philosophy of a people helps us to understand more about them than any other kind of literature.
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I am a professional actor, and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do.
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How you deal with adversity says a lot about the kind of players you've got and the kind of team we've got.
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With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.
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For me, pop melodies are their own thing that have their own emotion, but they don't necessarily belong exclusively in a pop song.
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It's always humbling, knowing where we came from. From being friends with the janitor in the bar and being friends with the waitress - because they were some of the only people that were listening when we finished playing - to this, we are able to appreciate every single person and every single piece of it, because we came from nothing to this.
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When I write, I don't have any expectation of what kind of song it will become or who it might reach.
