Design Quotes
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I was interested in science or, at least, nature from an early age, learning the names of planets, cutting cartoons with facts about animals out of the newspaper and gluing them into a scrapbook, and, with a friend when I was five or six, trying to design a submarine.
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I really liked the design of Batman. I liked the concept. There's a lot more you can do with Batman than most other superheroes.
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Design is about point of view, and there should be some sort of woman or lifestyle or attitude in one's head as a designer. So my being able to reach the masses was something that meant a great deal to me - especially for women who could never wear Vera Wang.
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Information design has been around since the 1970s. Pioneers like Yale University design guru Edward Tufte and design agency Pentagram have long known and used its power. But now with the rise of the Internet, it's having something of a second birth.
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I think that it's worthwhile to explore the ways in which you write the person that's writing your plays as opposed to simply assuming that it's all a natural process and there's no design in it. Because your public persona is designed, to a certain extent, and you can have fun and profit at various times doing that.
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I look at each episode in two ways - from a design standpoint and from an entertainment standpoint - this is TV, after all. We usually succeed on at least one of the levels.
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This is what we've been waiting for: finally, an unprecedented critical analysis of the history of Dutch design. Mienke Simon Thomas's Dutch Design is a book to have and to read: an important and richly detailed study of the cultural, economical and social-political context of twentieth-century design in the Netherlands.
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I'm not into fashion, but I like design. I wear the same shoes every day.
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Once the product's task is known, design the interface first; then implement to the interface design.
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I was attracted to things that combined art and science equally. I've always been equally interested in art design, science and engineering.
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I have been fully involved in designing my stage shows; it's important to me to do something really unique and almost off-the-wall to bring the music and the visuals together. I love design and actually went to school for a bit for graphic design, so it isn't so much 'pressure' for me; it's a way to be creative, and I really enjoy it.
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I have always been interested in fashion as an informing design discipline: proportion structure, detail, materiality, texture, color and quality. With a heightened interest in, and an awareness of the built environment, the 'store' has become a critical, perceptual and psychological component of merchandising as well as imaging. Architecture and fashion are partners.
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A work, however, should be judged by its design and its execution, and not by any preconceived notion of what it ought to be according to the critic, rather than the author.
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When you design it, think how you would feel if you had to fly it! Safety first!
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Looking back, video game design seems a natural fit, although there was no such thing when I was growing up. I built a Tic-Tac-Toe playing machine in my teens which went up in smoke on the night it was scheduled to go to a science fair.
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But whether there's some grand design really matters little to me. My only hope was this: to see what might be, to believe that it should be, and then to do all I could to bring it to pass, whatever the cost.
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So I went for engineering, specifically product design, which I enjoyed.
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I mean, I think about it, but I don't design my record to get a certain public response.
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There is a voice, and there is a DNA to how I design.
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I don't particularly follow the Bauhaus school of design, where you make everything into a black box - simplify it.
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We go to movies to be taken away to another place, to be dazzled, to dream, to hopefully be filled with wonder. The design of the world and the look of the film is all in service of trying to create that feeling of wonder in the audience.
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I would like to mention that I have flown the 262 first in May ‘43. At this time, the aircraft was completely secret. I first knew of the existence of this aircraft only early in ‘42 - even in my position. This aircraft didn’t have any priority in design or production.
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The woman I design for is very curious. She loves fashion, but she also is passionate about what is happening around the world.
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Preventing global warming from becoming a planetary catastrophe may take something even more drastic than renewable energy, superefficient urban design, and global carbon taxes.
