History Quotes
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Our democracy's history is littered with names we neither remember nor celebrate - people who stood in the way of progress while protecting the powerful. On Wednesday, a number of senators voted to join that list.
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It's interesting that you put me in the league with those illustrious fighters [Muhammad Ali, Joe Louis, Jack Johnson], but I've proved since my career I've surpassed them as far my popularity. I'm the biggest fighter in the history of the sport. If you don't believe it, check the cash register.
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I'm not sure history has ended.
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It was critical to finding a way out. I had assumed young women knew the history of feminism and must have felt gratitude to the movement for the opportunities that the work we have done has afforded them.
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Playing at the Opry, for me, it has such a history. It feels sort of like a coming-out party as a country artist. To know your heroes have played here is kind of crazy.
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Only the history of free peoples is worth our attention; the history of men under a despotism is merely a collection of anecdotes.
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We live in a society that has a long history of not valuing people of color or women.
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I think we do have cyclic changes in weather, and I think that's been throughout the course of history.
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History is a game played backwards only.
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History, having destroyed the religion as the opium of the people, now requires that they be given a taste of the real stuff.
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That was one of my most surprising discoveries when I dug into the history of average-ism: When you actually get the data, it rarely captures anyone. Which then begs the question, why are we using this as a reference standard for human beings?
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When I was younger, not being accepted made me enraged, but now, I am not inclined to dismantle my history. If you banish the dragons, you banish the heroes-and we become attached to the heroic strain in our personal history.
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History has repeated itself many times througout the ages.
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As a historian, I have learned that, in fact, not everyone who reaches back into history can survive it. And it is not only reaching back that endangers us; sometimes history itself reaches inexorably forward for us with its shadowy claw.
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I actually started working in Chicago while I was still a student; I did the Chicago premiere of 'The History Boys' at the end of my junior year. I had come to Chicago for Northwestern University. I didn't quite know about the theater community, and what I did know was mostly the improv.
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The whole history of civilization is strewn with creeds and institutions which were invaluable at first, and deadly afterwards.
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Basically, I think of fiction and non-fiction as different ways of engaging with the world. You reach a point where you feel you have said all you possibly can, in reportage or a review essay or a reflection on history, which 'From the Ruins of Empire' was.
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Privatization of assets that most of us consider public goods - like airports and highways - has a long, often-uncontroversial history.
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The history of my life is the history of the struggle between an overwhelming urge to write and a combination of circumstances bent on keeping me from it.
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The way they taught history in schools was not appealing. They stressed wars and dates. They left the people out. I was attracted to history by the need to know about the people. In China, I went to a British school, and we just learned about kings and queens. Back in America, I had the regular social studies curriculum.
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Akira Kurosawa as quoted in Kamiski, Michael (2007). The Secret History of Star Wars(PDF). p. 48. Retrieved 2011-01-31.
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I'm suggesting that, ironically, the secret to becoming a world 'hyperpower' is tolerance. If you look at history, you see great powers being very tolerant in their rise to global dominance.
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History is never antiquated, because humanity is always fundamentally the same. It is always hungry for bread, sweaty with labor, struggling to wrest from nature and hostile men enough to feed its children. The welfare of the mass is always at odds with the selfish force of the strong.
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When one is the type of writer who cares about the meaning of the historically specific setting, the history itself is not something that I would call backdrop. It's not window dressing for a timeless relationship about love and betrayal. For me, the setting and the specific history are active co-agents with me in trying to form the novel.
