Money Quotes
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I think the American Dream used to be achieving one's goals in your field of choice-and from that all other things would follow. Now, I think the dream has morphed into the pursuit of money: Accumulate enough of it, and the rest will follow. We've become more materialistic. For balance, I think we need to get back to idealism and patriotism, but also be realistic with our monetary goals.
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Mind you, I have had in my sojourn on earth as good a time of it as any man, so I can speak with some knowledge. A writer in the Manchester Guardian who is unknown to me lately described me as "the richest man in the world." That sounds a pretty big order, but when I come to think it out I believe he is not far wrong. A rich man is not necessarily a man with a whole pot of money but a man who is really happy. And I am that.
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We design our own programmes; we take leadership. Of course the donors come in to support us, to complement our efforts. Our responsibility to the donors is about accountability: about how we use that money. If somebody gives you his money, definitely he will be interested in knowing how you spend the money.
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How do I put this? 'Glee' is like 'High School Musical' if 'High School Musical' had its stomach punched and its lunch money stolen.
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The universities will ask for money back so they can put their name on the side of a building without fully educating athletes.
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We were doing very well in those days, but now we’re just moving along. I make a reasonable amount of money. My bills are paid, but when something like this happens it’s like getting a big bonus and it’s really great fun for a while and then back to just doing the work…
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I grew up with no money. My kids will grow up with a lot of money and so it's really important to me, and it will always be a part of my parenting, to keep them conscientious and connected socially to other people.
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People ask me, 'Why are you still writing books?' Like I'm still only writing to make money and as soon as I have enough I'll quit and go fishing? I like to write books. It's the most satisfying thing I do.
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I've been struck by the upside-down priorities of the juvenile justice system. We are willing to spend the least amount of money to keep a kid at home, more to put him in a foster home and the most to institutionalize him.
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First a piece of Irish wisdom: you should always listen to a bookie. For they have a saying, 'Money tells a good story,' and somewhere in their odds is a kind of science-fiction existentialism that decrees that we, the people, know everything. In other words, betting patterns often make for good, unconscious soothsaying.
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My main capital isn't the money. I respect myself; I respect my country.
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I have 120 people in my payroll without any government giving me any money. We live off the tickets and the records I sell. That is very unusual.
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We shall talk as if the objective of internal balance were simply that of maintaining a level of total demand for all the country’s products sufficiently high to maintain full employment, but not so high as to lead to a continuing inflation of money prices and costs.
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I do think that some of my songs, like Take a Minute, are like the train between the two worlds. It starts out with the question of "how did Gandhi ever withstand the hunger strikes and all / he didn't do it to gain power or money as I recall," and its sweep reaches all the way to this part of the world. I think maybe I'm a translator, because I lived in both worlds and truly understand them. I understand the discontent that comes from not having. But I also understand the anxiety that comes from wealth and convenience.
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The forties, seventies, and the nineties, when money was scarce, were great periods, when the art world retracted but it was also reborn.
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No matter how much money I made from writing, I'd keep the bookstore job.
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I wanted to share my love of coffee with a wider audience and also continue to raise money for The Thirst Project through Common Culture Coffee.
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Also with that money comes the idea, "Let your imagination run wild." Which I think is a very dangerous thing. I think it's dangerous because you can get into pretty wacky territory. There are things that are too crazy.
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We don't take on Google Glass or the self-driving car project or Project Loon unless we think that on a risk-adjusted basis, it's worth Google's money to do it.
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It's an irony that growing inequality could mean more money for philanthropy. In the U.S., quite a few of the ultra-rich have taken to heart the 19th century industrialist and philanthropist Andrew Carnegie's comment that it's a disgrace to die wealthy.
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When women are paid for their work and have control over how the money gets spent, they invest much more of their income than men do in their families' education and health.
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I was very into New Order, Joy Division, all of that when I was younger. I had a lot of bootlegs that I saved up my pocket money to buy. I had all the obscure early EPs.
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When a series is doing well, it's very tempting to keep writing it, even when the creative well is drying up. It's tempting because that's where the money is. I've had to be very careful; as soon as I think I'm getting close to that dry well, I wrap the series up. I don't want to just keep writing something because it sells.
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I spent two years in the Army. And my older brother, who was also a great positive influence on me, encouraged me to think about law school, and I said - well, I didn't have any money.
