Film Quotes
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New Mexico is the second Hollywood. No, it is, it is. They built all sorts of film studios.
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There's my pessimism. Because I didn't know yet that type of film is always going to become more extinct, that there won't be anymore. Because there will always be more films that win five Oscars like Terms of Endearment.
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It's sad when you say a $30 million film is an inexpensive film, but it is.
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Be humble and say okay, all right, I have to prep myself. So everybody prepped, and we finished the film Valerian four days before the end.
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I realized that everyone in Western society, in some weird way, believes that they've had the experience of producing feature films.
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But I feel that I have a responsibility to help the film and I have relations with the studio and with those who put up the money so that I can tell a story that I believe in.
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I could make a film in front of a wall if I knew how to find the data of man's true humanity and how to express it.
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You know... that a blank wall is an apalling thing to look at... The wall of a museum - a canvas - a piece of film - or a guy sitting in front of a typewriter. Then, you start out to do something - that vague thing called creation. The beginning strikes awe within you.
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Seeing a film at the cinema, or a DVD or whatever at home, your brain is really receptive to not only whether the script's working, or if the actors are acting well, but also the colours.
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Hey, hey, ... No filming after 15 minutes. Get those cameras out of here.
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I've done big studio films and the big studio films I've done, I've tried to do the interesting ones and the ones where I could live with myself in the morning.
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Making a film, setting it up and getting it cast and getting it together, is not an easy thing.
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I agree with him 100 percent. Watching film everybody is making minor mistakes and I just think being half a step earlier, or being one step over the left or one step over to the right could change the whole outlook of the play as far as the other team getting an easy bucket or a wide open look.
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I'm terrified by young people who are doing what they think is film making. What they're really doing is taking that convulsed, fast rhythm of commercials. It's not film making.
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For me, every film is actually a form of documentary.
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It would be naive to say that you could make a movie on film for the same price you can digitally.
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My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
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What I had to say was, in general, I'm not really a fan of any one genre of any kind of film.
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A film goes through so many hands, that by the time it's done, it might not resemble what you thought you were making.
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'Matilda' was my favorite movie to film and my favorite to watch, as well.
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There's a film there in competition [of Sundance Film Festival] called To The Bone. It's directed by Marti Noxon. I have a supporting role in it. It got really well received. It's a really great film.
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Yeah I think Pitch Black was edgy, I think that's what worked for our film.
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I think we stumbled onto our own sort of lore back in high school. We weren't with the drinkers, we were more the psychedelic warriors. We sat around watching horror films.
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I had wanted to make this film Suffragette for over a decade. There has never been a cinematic rendition of this story. I had not been taught any of the history of the movement at school, and the version I had gleaned had been the Mary Poppins story of women in large hats, petitioning. There was another version.
