Film Quotes
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I know there are things I did in education that will never be reversed. I have not done that in film yet because I have only been here for about nine months.
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I'm working on a project called Lemons, produced by Killer Films. The director has a great perspective on character development.
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What Clint Eastwood meant was when you are directing and starring in a film, there's a temptation to spend more time on the other actors' performances, and then when you get to your own work, you kind of go, "Oh, yeah, well, let's cut that." And he said, "Take your time and make sure you do your work right." It's especially good advice if you're going from one career to another.
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I think it's dynamite, the way my career has just kept moving, even when people didn't know it did. I made such interesting films, but, yeah, they're not necessarily the big movies that go to the supermarket. I don't need those movies, because I don't wanna do them.
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If I like a film, I usually appreciate the way it was made the first time.
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I work in film, TV, commercials and do live PR stunts for companies. A lot of my time is spent reading scripts and looking at designing sequences, speaking to directors and producers about how they want the sequences to look, how they will work and budgeting those stunts.
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I'm happy - at times - making films. I'm certainly unhappy not making films.
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Anyone can buy CG technology. It's not that it's easy to make those films. Those films are just as difficult, they're incredibly hard to make.
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I'm a Method actor. I spent years training for the drinking and carousing I had to do in this film.
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I always wanted to be a film composer. So very early on I started collecting soundtracks and paying attention to how movie music works. Actually I'd like to have the opportunity to conduct for the rest of my life.
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I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire.
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With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
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There's so many modern films where the fans take one side or the other. I'm hoping this isn't going to be like that; I'm hoping it isn't that kind of film at all. What I would love for the audience to take from it is to understand why she was so stuck in the middle and confused.
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I knew from early on I would go to film school and try to work behind the camera.
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There's no independent satisfaction without the success of the film itself. The feel that you have done the best you can to support the film.
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I think about all the people who have created something that lives after them - works of art, plays, music, films, literature, poetry that will be read, seen, performed, and heard for the rest of time. If I could do something that lives after me, then I think I will have had a life well led.
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I don't think that theater is the higher medium, that it's better than film.
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Often the soul is ripened into fuller goodness while age has spread an ugly film, so that mere glances can never divine the preciousness of the fruit.
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Science has done much for us; but it is a poor science that would hide from us the great deep sacred infinitude of Nescience, on which all science swims as a mere superficial film.
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A lot of country making films in English, but in Japan we are very shy to speak English.
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I felt, if I'm going to take on some of the most overdone material, which is men and women and affairs and betrayal of friends, I had better have a new take on it. I think my films come from a desperation not to be boring.
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Every film is exciting because I get new tools and cool new things to do.
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I can't sit through the superhero films. But I watched Draft Day, and it was kind of sweet in an old-fashioned way.
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This is the launch of the Doctor Strange film interpretation, of - in my view - a classic, which has been interpreted many times by other graphic artists and this is just our graphic interpretation of The Ancient One. I would say the whole approach is about a kind of fluidity.
