Film Quotes
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Let me be honest - I might do a franchise film like 'Golmaal' if it comes my way. Eventually, we are all in Mumbai to become bigger stars, not better actors.
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I would rather not watch myself in movies. I enjoy the experience, but I won't really see the film until they're on cable deep on into my life so I can pretend it's someone else at another time.
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When I do a film, I try and see how in tune I am with the director.
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It would certainly would be great to see more films featuring the black family and showing that we are capable of having that unit strong and present and beautiful, because that's so much of who we really are.
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I like racing but food and pictures are more thrilling. I can't give them up. In racing you can be certain, to the last thousandth of a second, that someone is the best, but with a film or a recipe, there is no way of knowing how all the ingredients will work out in the end. The best can turn out to be awful and the worst can be fantastic. Cooking is like performing and performing like cooking.
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It's a great privilege just to be in a film not because you're some packaging that some agent has done with the studio exec: "We need a John Travolta film."
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Before I made a film, I thought it was easy.
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You can sit and write in your room all you want, but until other people see it, until you see it produced for television or film or something, you're not 100 percent sure if what you wrote is actually going to work.
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I believe that anyone who chooses a path and keeps walking will find a positive result some day. I didn't want to go with the flow and do any kind of film that came my way and wind up my career swiftly.
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I saw 'Clueless' probably when I was about 8 or 9 years old. And, I had certain films that I would fall asleep so it was 'Clueless' for quite a long time, and I used to just watch it every single night and knew every single line, every single quote.
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I don't want to do just "Hello, goodbye," only for very, very good directors like Jonathan Demme, who asked me to sing this tango in his film The Truth About Charlie (2002). If not, I really take my choices, because I'm too old to say yes to everything, and also, I've done too many good things to go do whatever now.
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There are certain things that happen during the production of, I think, every film, that you didn't plan, and often it's better than what you did plan. There's the question of either going with it or not.
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When you make a film, you come to say something.
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I'm attracted to films that have strong female characters because there are strong female characters in my life.
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A man writing a letter is a man in the act of thinking, and it was an exercise Reagan obviously enjoyed. After his first meeting with Gorbachev, for example, he sent a 'Dear Murph' letter about it to his old friend George Murphy, a former senator and actor who had once played Reagan's father in a film.
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I definitely don't intend to only make films about Nigerians or Africans. I want to make films about people, any people.
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Film actually is a very strange thing - you can fly in, get off the plane, and climb into bed with somebody you've never met - and that's weird!
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When you're making a film you're thinking about how to tell the story visually.
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I'm not prejudiced about what type of movies I'm in, what form they take or whether they're studio or independent. I just want to make films that are going to be good. The main reason is not to make money, although at some points it's really difficult when you're broke.
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The first really important book I read about filmmaking was The Film Technique by Pudovkin. This was some time before I had ever touched a movie camera and it opened my eyes to cutting and montage.
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Try driving the streets of Los Angeles without seeing a billboard depicting a film with a lead actor holding a gun. It's almost as if guns are harmless props used to bring out the cheekbones and jawline of the screen star.
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They still put you in a room with these people who apparently have no difference whether you're making a family driven show or otherwise. But I do realize it's very sad to me. This is the first film Oz The Great that I've done that's not R rated. It's a really weird connection.
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My wife comes with me on all the movies, but she is not an appendage to a film star or anything like that. She is a completely intertwined partner. She is the other half of me. Also, we're still very much in love with each other. We always have been, we always will be.
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We knew exactly what we wanted in each other. And even so, it ended. One day it stopped, as if the film simply slipped off the reel.
