Film Quotes
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In film, there are two ways of including human beings. One is depicting human beings. Another is to create a film form which, in itself, has all the qualities of being human: tenderness, observation, fear, relaxation, the sense of stepping into the world and pulling back, expansion, contraction, changing, softening, tenderness of heart. The first is a form of theater and the latter is a form of poetry.
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Another thing that really excites me: I'd like to do multiple versions of the same film.
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Every film starts with the script.
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I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.
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I teach film directing, inasmuch as you can. Its not really possible to teach film direction, but I sit there as a sort of testimony of experience and know-how, I suppose.
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I think Michael Caine is a perfectly good actor but it's obvious he's not going to be in one of my films.
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When you make a film, you come to say something.
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I am the least likely person in the world to be in an American football film! Which is why I couldn't say no to The Replacements; I thought it was hilarious.
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It never crossed my mind to make a film about Muhammad Ali or the Queen or any of them! They just come out of the blue.
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In the early days of films, the movie star in this country replaced royalty. They've been demoted since then but they're still treated as beings larger than life.
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To make a film is very difficult - it doesn't make a difference whether you are a man or a woman.
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Being a film actor is very different from a theatre actor.
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As a filmmaker you make your films with the audience you want to attract in mind.
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Basically, independent film doesn't exist anymore. It does if you have two or three stars in your film, but it's just very difficult.
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I discovered you can get closer to a characters thoughts and feelings in a book than in a film.
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I think people who aren't in film experience that when they hear their voice on an answering machine or something.
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I've love to do more movies. Just because I'm interested in the medium very much. I've done a lot of theatre at this point, and I've done a lot of TV. I've done a few independent films, but a lot of them have not seen the light of day. It'd be really nice to be in a film that gets out there.
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You know how it is, somebody will see your work and like it and remember it, then decide to make it a role in their film.
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Each film is different. Time Code was very quick - a matter of months. Miss Julie has been on my shelf as a script for some seven or eight years. But then the shooting process was very quick - 16 days.
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I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
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I never think about franchises, to be honest. I always just do the film.
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Get out and make films. There are so many cameras now to suit any budget, so there are no excuses.
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You can ask yourself, if a film makes a claim, is the claim true or false? Having said that, a style of presenting material doesn't guarantee truth. There's this crazy idea that somehow you pick a style, and by virtue of picking the style, you've provided something that is more truthful. It's as if you imagine that changing the font on a sentence you write makes it more truthful.
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In television, women can really run anything. It can be a comedy, it can be a drama, it can be genre, it can be anything. But in films, women are still getting to the top