Film Quotes
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The biggest challenge was to make sure that we are looking at things honestly and truthfully. We weren't making an apologist film. That was the toughest part.
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Film and theater are about misdirection and making the audience see something. I find it interesting. One of the things we do in 'True Blood' is shoot all of our stunts in camera. Instead of doing some kind of visual effect, we try to make it happen.
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Films take up so much time, and with theatre, you do have to plan a period of time that you can be free.
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Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It’s always the unspoken word and what’s happening behind someone’s eyes that makes it so rich.
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I like racing but food and pictures are more thrilling. I can't give them up. In racing you can be certain, to the last thousandth of a second, that someone is the best, but with a film or a recipe, there is no way of knowing how all the ingredients will work out in the end. The best can turn out to be awful and the worst can be fantastic. Cooking is like performing and performing like cooking.
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I've always been fascinated by Asian culture, and I love that women can play the lead in a horror film.
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Robinson made some people look silly on film, just with his ability to lower the shoulder. He's not looking to take a knee or a slide or anything like that. He likes to get as much as he can out of every opportunity he has.
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If you think anyone goes out and commits crimes because of some daffy film they've seen, then I question your judgment.
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I've got a lot of examples about moments where I thought something would work on film and it didn't work, but I never came to that decision with the film half shot, where I was stuck on a runaway train and couldn't jump off. On those occasions where I have admitted defeat, that this is not going to work, I haven't embarked on that project and made that movie.
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I'm not judging the films. People make these connections through a film, or because they know them. But the fact that they erase them and have to start from scratch, I think that's an important point. A lot of kids, when they have a camera, have tended to do remakes of existing films. You have a lot of kids that make Star Wars. And I think that's creativity, but not as much creativity as starting from scratch.
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There's very few people who want to just make beautiful films that make money when they can make films that make huge money.
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You do the work and you want people to see it; but, um while I'm doing the work, the result doesn't matter at all to me. Ultimately, I don't, I don't care whether the film is - you know - some big giant box-office bonanza and I don't care if its a complete flop. To me, when a film gets made and it's actually finished it's a success. They're all a success in their own way.
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There are so many people in film and television that get between a performer and the audience, and that's frustrating.
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Positive doesn't mean unflawed: It means human and vulnerable. If you make a film and you're portraying the subject with respect, you're gonna do it in an honest way.
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Certain types of films will never test well. My films never seem to test well.
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I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
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I am the least likely person in the world to be in an American football film! Which is why I couldn't say no to The Replacements; I thought it was hilarious.
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Our biggest art forms are film and television, and there hasn't been a great film about 9/11 yet, nor has there been a great television series. Something like The Wire gives us a rich and fully achieved picture of the wasteful, cruel War on Drugs; something like The White Ribbon gives a perspective on World War I that could only have been presented long after the event itself.
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I'm happy - at times - making films. I'm certainly unhappy not making films.
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I'm not prejudiced about what type of movies I'm in, what form they take or whether they're studio or independent. I just want to make films that are going to be good. The main reason is not to make money, although at some points it's really difficult when you're broke.
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It never crossed my mind to make a film about Muhammad Ali or the Queen or any of them! They just come out of the blue.
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If I'm gonna play a character in a movie or if I want to be the lead of a film, you wanna carry the guy, you wanna get the girl, you wanna save the day or the world.
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Try driving the streets of Los Angeles without seeing a billboard depicting a film with a lead actor holding a gun. It's almost as if guns are harmless props used to bring out the cheekbones and jawline of the screen star.
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I wasn't terribly familiar. I had read some of the headlines but didn't quite understand difference between WikiLeaks...Edward Snowden. And then watching the documentary, working on the film, you got to see his personal journey through this and sort of understand more about what he went through.
