Film Quotes
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All actors do that. Should do that and do that. For the most part. I say all actors. I'm exaggerating, but you know who does and who doesn't. Vince is a wonderful young actor who knows his work and did a beautiful job on this film.
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We live in an era where each of us has a massive catalog of film and television available through the internet at the swipe of a finger. To get folks out of their homes for a piece of art or entertainment, I think you need to offer something they can't get on Netflix or Amazon.
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Being a film actor is very different from a theatre actor.
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You can see all sorts of things in film acting if you know where to look and what to look for. One thing I often notice is that the actor is looking for his mark, the place where he has to stand to be in the right place in the shot.
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James Caan told me at the end of filming 'Elf' that he had been waiting through the whole film for me to be funny - and I never was.
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There are just times when your body and your soul feed into a character and you somehow meet at the point where that character truly lives in you. It happens in plays, in TV, in films.
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Let me be honest - I might do a franchise film like 'Golmaal' if it comes my way. Eventually, we are all in Mumbai to become bigger stars, not better actors.
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I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.
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If I like a film, I usually appreciate the way it was made the first time.
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It's funny how that comes up, because sometimes I'll write something and I'll think, I don't know if that's a film or a play, and then other things I feel very strongly about them just being plays - they feel very theatrical to me.
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I have always done films with friends rather than strangers.
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The Arts, especially film, transcend all cultural barriers, hopefully offering an avenue where all people can find a common place to meet, understand each other, and nurture a safe world for all our children to grow strong within.
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You always have to appeal to your audience. You always have to consider how well your project will do in terms of admissions. I abandoned many stories because of that. But I don't get too down about it. It's something I accepted from the time I decided to work in films.
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John is a cottage industry in Baltimore and the city opens its doors for him whenever he is making a new film.
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The audience too should be respected by being presented with a film as they remember it, and for those who have not seen it, as it was intended to be seen. Anything less is a degradation of the film and its audience.
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I did a film called 'Fort McCoy,' based on a true story of one of the few internment camps during WWII that was actually in the United States.
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It will be difficult if people can't get past their prejudices; I don't mean Black and White; I mean people automatically assume because a film has a predominantly Black cast, that it is a particular quality of film.
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Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man's ken now are but poor-mouthed ecclesiastical film stars and clich?-shouting publicity agents. Their little knowledge bringing them nearer to their ignorance, ignorance bringing them nearer to death, but nearness to death no nearer to God.
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When you act, you want to emote and think in that language. I don't enjoy the process of doing a film in a language I am not good with.
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With theater, you have to really be able to listen and to respond to other people on stage. You're all constantly on your toes. And then with film and television, you can get a second take and things like that.
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If you think anyone goes out and commits crimes because of some daffy film they've seen, then I question your judgment.
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I've had the pleasure of working in the U.K. a few times before. I've shot a few movies there before. One of them was Neil Simon's 'London Suite,' which was based on his play. I also shot a film in Dublin, a little film with Bernadette Peters, called 'Bobbie's Girl.'
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I've made six or seven good films. The others, not so good.
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I found school quite tough, but Saturday night was movie night, and I started to empathise with the characters on screen. I started to get more involved with what these people were experiencing. Film inspired me to do better.
