Film Quotes
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I have a theory that most people disagree with. I really feel that acting for film and acting for the stage are two different crafts. I think that they share things in common. But I liken it to a painter switching over to photography.
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If you think anyone goes out and commits crimes because of some daffy film they've seen, then I question your judgment.
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I'm a huge Wes Anderson fan. I literally love every single film. He hasn't made a bad film; I've seen every single one. They've all been brilliant, from 'Bottle Rocket' up to 'Moonrise Kingdom,' they've all been wonderful.
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I would like the film to make people think about the place of women in the world - the advances and setbacks that they have experienced these past years in terms of their freedom.
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People figure because I'm blonde and was a model, I just waltzed into Los Angeles and got major roles in major films.
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I intend to work until the day I die. I retired from feature-length films but not from animation. Self-indulgent animation. It's nice that I have the mini-theater in the museum. Most of the museum visitors attend the mini-theater screenings and we've never had a complaint about the quality of the films. I'd like to continue to make films that leave the audience satisfied, but I also think it's pointless unless I offer them the kind of animation they can't get anywhere else. They're fun to do. They're short so it's less stressful.
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When people would ask me what I was doing, I'd be like, 'It's a horror film.' 'What is it about?' 'You'll just have to see it.' I really didn't want to explain it because it's really tough to explain without it just sounding really ridiculous.
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We've done a lot of films now about the IRA, we can move on from all that. I loved '71 because I think it showed a very honest trail and what it was actually like. It wasn't one-sided. I really respect '71 director Yann Demange for what he did. But we have done a lot of those things.
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In college, when a girlfriend asks you to watch a film in black and white, you do it. That's when I discovered a lot of films. I was really obsessed with Bergman, the whole world he creates. One that I always quote a lot is 'Autumn Sonata.' When you see women go through issues with their mom, you realize how right and poignant Bergman was.
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The problem is, with a lot of children's films, they are very commercial.
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Truffaut loved actresses, and he was very intense. All the actresses I knew wanted to do a film with him.
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I want to make another film. I want to make a better film about the legendary Babaji, with more close-encounter stories of people who have been with him.
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No press conference announcing a last film. I'd just steal away. Best way because, if by chance after two or three years something interesting comes up, I would not - like Sinatra - have to say: 'Well, I've thought it over and decided to come back.'
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I loved watching theatre, and film, and television. It was a fantastic outlet and my favourite thing to do. I can't remember the decision. It just felt like a completely natural thing... I just completely felt drawn into it and seduced by it all. I found myself going into it.
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From my films, you can at least learn about Iran, you can get a sense of the history and the society. But no such films have been made about Afghanistan, so you really can't know much about it.
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Kathryn Bigelow is a really good example of somebody that has maintained her truth and she makes the films she wants to make and she hasn't let other people affect her too much. Her last film is to me so inspiring and the way she sees war, the way she set up those really intimate relationships in and amongst this carnage.
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I think I've done every disgusting thing you can in a film.
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I wanted to be a film student again, as a man in my 60s. To go someplace alone and see what you can cook up, with non-existent budgets. I didn’t want to be surrounded by comforts and colleagues, which you have when you’re a big time director. I wanted to write personal works.
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Because of the incredible reputation I have, people find me exciting to watch on film.
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Hardly any filmmakers can just make anything they want. Obviously, there are some exceptions, like Steven Spielberg, but he has that mainstream mentality and the kinds of films he loves to make are the kind that appeal to this big, mass audience.
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Films take up so much time, and with theatre, you do have to plan a period of time that you can be free.
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I want to be involved in things I can be really proud of. There's a lot of bad films being made and I don't understand how they got the money for it. That said, there's a lot of bad telly, but there's also a lot of very high quality that is something I'd be much more proud of than a mediocre film.
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I love creating bold, cinematic moments with my runway shows, so the idea of being a film director has always been appealing to me.
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But actually I make films that I think are extremely sophisticated and cinematic.
