Film Quotes
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I lived in Vancouver, where they film so many things. So it gave me a good shot at it.
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Science has done much for us; but it is a poor science that would hide from us the great deep sacred infinitude of Nescience, on which all science swims as a mere superficial film.
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It is quite surreal having a film made about your life. The whole process of turning real life into drama is interesting in itself, but even more so when it is your own life being put into the narrative forge.
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One of the things that's different about London and the English market is that theater and film and television are all based in London. It's not quite the same as in the States where if the playwright here wants a successful TV or film career, they're whisked away by Hollywood.
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Mumbai is a spider web. You do a film and make 10 connections and do something else and make 10 more connections. You keep moving like that.
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I think people who aren't in film experience that when they hear their voice on an answering machine or something.
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With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
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If you think anyone goes out and commits crimes because of some daffy film they've seen, then I question your judgment.
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Flashback in film rarely works.
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I would never knowingly go into a film that I wouldn't pay to see, or something that didn't challenge me.
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I'm always in this shape, that shape, whatever shape you like the most. I am always in various stages of shapes. If the woman needs to be more soft I'll gain weight and then I'll lose weight for another film that I did where I wanted her to be more wiry. I enjoy using my body as something that helps me get to a character.
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I'm proud of Lord of the Rings. I think it's a once in a lifetime role, and a once in a lifetime film. It was made with so much care and passion and meticulous detail and everybody was so behind it.
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I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
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I pretty much believe that a film is a film and when an audience watches a film, they finish it.
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I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.
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If we bought everything on the Internet, our eyes and mouths and nostrils would probably begin to film over with a tegument - one initially tissue-thin and capable of being removed each morning, but which gradually thickened and hardened until we were imprisoned in our own tiny minds.
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Kathryn Bigelow is a really good example of somebody that has maintained her truth and she makes the films she wants to make and she hasn't let other people affect her too much. Her last film is to me so inspiring and the way she sees war, the way she set up those really intimate relationships in and amongst this carnage.
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One thing I love about making an ensemble film is that you can have ten people come away from it with ten different messages.
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The joy of a period film is that you're taken to another world. The costumes determine the way you move, and then consequently the way you breathe. And then, the way you breathe effects the way you think.
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I've been doing theater for a long time, so that's something I understand. I'm such a babe in the woods when it comes to TV and film. I'm still learning. It's exciting.
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I work in film, TV, commercials and do live PR stunts for companies. A lot of my time is spent reading scripts and looking at designing sequences, speaking to directors and producers about how they want the sequences to look, how they will work and budgeting those stunts.
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I was in love with this character of Ray Krebbs. I wanted the part badly. I had done several Western films in my career at that point and there wasn't much opportunity then to play Western roles on television at that time.
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But also, there are no films being made about Afghanistan.
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There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
