Film Quotes
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Any film that you make, it's a very high end game of musical chairs ... but that's just the nature of filmmaking. You do the dance with a certain actor.
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I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
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I'm working on a project called Lemons, produced by Killer Films. The director has a great perspective on character development.
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If we bought everything on the Internet, our eyes and mouths and nostrils would probably begin to film over with a tegument - one initially tissue-thin and capable of being removed each morning, but which gradually thickened and hardened until we were imprisoned in our own tiny minds.
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Whatever I do, it's crucial to me that I give it 100 per cent. It doesn't matter if it's a short film, stage, theatre, TV or blockbuster. It doesn't matter what level of budget or prestige it is.
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I loved doing 'Pennies from Heaven.' Because you have to understand that I'd been doing comedy for 15 to 20 years, and suddenly along came the opportunity to do this beautiful film. It was so emotional to me. I loved it. I don't think it was a good career move, but I have no regrets about doing it.
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I prefer thrillers but when its thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
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I think that Mos Def is the best actor, but when you talk about rappers in films, I don't really think the quality of the acting is most important because most rappers are put in movies because of the personality and people want to see that.
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After the war, in which I served as a pilot in the Air Force, I took up films.
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I'm very troubled when editors oblige their film critics to read the novel before they see the film. Reading the book right before you see the film will almost certainly ruin the film for you.
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I used to like Barbra Streisand films. It was Funny Girl that really turned me on, in a sense, to acting. I remember it specifically being a rainy Saturday afternoon. I couldnt play football, so I stayed in, and I watched Funny Girl.
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I would love to produce a film.
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In many ways, it is very real, because I sat there for 9 days, and it was constantly happening, and that was the 9 days of making the film. But you can't say that it's 100% true, because there are places where I've been intrusive and interfered.
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Now it's somewhat easier for a woman to be a film producer or something like that if she wants, though it's not that easy. But to be any kind of successful woman took a lot of doing in the '30s, '40s, '50s, '60s... in the '70s it's getting simpler.
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Doing a movie about Steve Jobs is just generally a provocative thing to do, whoever does it, and it begs a lot of questioning and skepticism only in that, what is this going to be? What am I going to be looking at? And curiosity as well. I think thats all positive in any film, because you want people to be curious about it.
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I discovered you can get closer to a characters thoughts and feelings in a book than in a film.
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I have to say my favorite stories are ghost stories. I don't like to see these made-up monster films or scary films with ghosts. It doesn't do anything to me. But a real ghost story that someone tells me, that I like.
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I knew from early on I would go to film school and try to work behind the camera.
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The biggest challenge was to make sure that we are looking at things honestly and truthfully. We weren't making an apologist film. That was the toughest part.
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Fame should be left to the film stars.
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I think everybody dreamt somehow to make a film in Hollywood, you know.
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I'd go from film to film and almost detach from one world and jump in another. I was living as these people and not having a self. I didn't know who I was. And things just get really dark.
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I don’t want to be an editor! I don’t want to direct; I’d be a horrible director. I don’t want to write - I have a “story by” credit on one film I did. And I don’t want to edit at all.
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I think the toughest thing about being an actor in a film is to be with a director who doesn't know what they want. And that can be really, really frustrating.
