Film Quotes
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I would never knowingly go into a film that I wouldn't pay to see, or something that didn't challenge me.
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All my life I've been aware of the Second World War humming in the background. I was born 10 years after it was finished, and without ever seeing it. It formed my generation and the world we lived in. I played Hurricanes and Spitfires in the playground, and war films still form the basis of all my moral philosophy. All the men I've ever got to my feet for or called sir had been in the war.
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Kathryn Bigelow is a really good example of somebody that has maintained her truth and she makes the films she wants to make and she hasn't let other people affect her too much. Her last film is to me so inspiring and the way she sees war, the way she set up those really intimate relationships in and amongst this carnage.
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I've had a wonderful career and I'm very happy to have had all of the opportunities that I've had to tell stories and work for as long as I have. I'm sure there'll be a few more films but I'm happy that I'm able to be selective.
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For each final photograph, I'll have shot loads of film. I suppose people don't see all that. But when someone looks at a piece of work, they know something has gone into it, even if they can't lay their finger on what it is.
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Would I do it again? Film another movie? Oh yeah.
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When you act in a film, you're inevitably surrounded by people you didn't choose, right down to the set painter. I like being able to pick the family I'm waking up to in the morning that's going to make this group effort to tell a story that applies to what's interesting to me at that stage in my life.
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We live in an era where each of us has a massive catalog of film and television available through the internet at the swipe of a finger. To get folks out of their homes for a piece of art or entertainment, I think you need to offer something they can't get on Netflix or Amazon.
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If I had my choice, I would do the same little independent films, but they would have $100 million budgets, so I could get paid a fortune and hang out in a huge trailer.
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My oldest brother was a big influence on the films I watched as a kid.
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The fact that audiences have come away moved, excited, entertained and stimulated by the film is extraordinarily flattering.
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Making films is too big an undertaking to be doing it on a whim, so you're waiting all the time, until you finally meet the person who gets it.
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With film, you have very limited tools to convey subjectivity - voiceover, the camera's point of view, good acting - but even the very best actor in the world is crude by comparison with what you can do in a written paragraph.
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I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
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My very first acting gig was in a movie for Russ Parr. He did this movie called "Love for Sale," and that was my first role in any film.
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I'm proud of Lord of the Rings. I think it's a once in a lifetime role, and a once in a lifetime film. It was made with so much care and passion and meticulous detail and everybody was so behind it.
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I am afraid I'm not going to be much help to you right now. I am not prepared to give you a lot of observations until I absorb this and look at the film and decide what happened and how we are going to go forward.
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I've made my mind up that I will only do a film that I really, really love. I'm determined to lie low until a role comes along that really makes me want to work.
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I've been doing theater for a long time, so that's something I understand. I'm such a babe in the woods when it comes to TV and film. I'm still learning. It's exciting.
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I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire.
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The reason they came up with the ratings board is that there are a lot of movies out there, and parents need some guidance. Not only for the kids, but for adults, as well. If you don't like to see a certain kind of film, there should be some rating, so that you know what you're getting into. But the present system doesn't work.
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I'm one of those people that think that what you put up on screen, no matter how you're stating it, is usually an advertisement for it. Even if I'm saying "it's really bad to do this, or it's really good to do this" - regardless, the fact that it's on film, presented in this huge way, is appealing.
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You know how it is, somebody will see your work and like it and remember it, then decide to make it a role in their film.
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I'm very troubled when editors oblige their film critics to read the novel before they see the film. Reading the book right before you see the film will almost certainly ruin the film for you.
