Film Quotes
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We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.
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That would be getting up at 5 am... I don't understand why film's shoot such brutal hours. I think it'd be worth it to not be so strictly cost-effective and have an 8 hour day. The film's would benefit in the end.
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Toy Soldiers was my introduction to film. I certainly didn't think I was doing art by any stretch of the imagination.
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There are two kinds of directors: There's the kind where two plus two equals four, and you have to help them figure it out. And then there's the kind that throws you in a room, locks the door, sets the house on fire and films it.
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Film is new for me so I'm so fascinated by it and love it, but I would pass out if I could never do theater again. I'd be physically ill!
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I'm pretty fortunate that I'm in the films I'm in largely because the directors have asked me to be in them. I'd love to do more of them, but the writing and historical stuff I'll probably always do.
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I don't see me doing $100 million films because $100 million films, the very nature of them, you need to offend as few people as possible just to make your money back.
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I've just had the opportunity to see the finished film of 'The Hunger Games.' I'm really happy with how it turned out. I feel like the book and the film are individual yet complementary pieces that enhance one another.
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I think the toughest thing about being an actor in a film is to be with a director who doesn't know what they want. And that can be really, really frustrating.
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I'd love to find a small movie that someone would sign off on me to do. I have no aspirations to do a big studio film because I don't think anyone would let me.
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I have a theory that most people disagree with. I really feel that acting for film and acting for the stage are two different crafts. I think that they share things in common. But I liken it to a painter switching over to photography.
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I believe, the Japanese film industry must be open.
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But actually I make films that I think are extremely sophisticated and cinematic.
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My oldest brother was a big influence on the films I watched as a kid.
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I would never knowingly go into a film that I wouldn't pay to see, or something that didn't challenge me.
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In our benighted age, when films about amusement park rides and electronic fidgets scoop the honours, perhaps Hollywood redux is the best we can hope for.
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You can have a film and have 200 white people working on it, and nobody finds anything wrong with that. But if you insist on having a black crew, all of a sudden there's something wrong.
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When people would ask me what I was doing, I'd be like, 'It's a horror film.' 'What is it about?' 'You'll just have to see it.' I really didn't want to explain it because it's really tough to explain without it just sounding really ridiculous.
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I wanted to be a film student again, as a man in my 60s. To go someplace alone and see what you can cook up, with non-existent budgets. I didn’t want to be surrounded by comforts and colleagues, which you have when you’re a big time director. I wanted to write personal works.
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I just want to know if I'm truly not in the NFL, it's because of talent. Let it be because of my talents. But you've got to prove that I can't play this game. If you look at the film, clearly I can. So, I'll leave it at that.
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I made my first film on 16mm. Then I began using 35mm.Then I began working in Hollywood. And I began to really understand how films were made by professionals. I have to say I wasn't very impressed.
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Now it's somewhat easier for a woman to be a film producer or something like that if she wants, though it's not that easy. But to be any kind of successful woman took a lot of doing in the '30s, '40s, '50s, '60s... in the '70s it's getting simpler.
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Fame should be left to the film stars.
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Making films is too big an undertaking to be doing it on a whim, so you're waiting all the time, until you finally meet the person who gets it.